Sommaire pour Fall 2025 de Quiltmaker

Quilts are more than fabric and thread. They are stories. They are memory keepers. They are silent witnesses to migration, resilience, celebration, and community. In this issue, we explore designs and techniques passed down through generations and share how makers continue to honor tradition while creating something distinctly their own. No matter where we come from, quilts connect us—through hand, heart, and heritage. Two projects draw inspiration from Indian culture: Pooja Garg's stunning Royal Splendor pillow featuring wool appliqué peacocks and the beautifully quilted Kantha Kolam Quilt by Sujata Ryan. Check out Emily Perry's Midnight Zest throw—a modern version of a cherished family quilt, and Vera's Quilt—Dawn Fisher Polomski's version of a Trip Around the World pieced by her grandmother. See how Karen Grage reimagines an Icelandic sweater knit by…

INTERMEDIATE Finished Size 24” × 24” Finished Block 24” “When I was growing up in India, the peacock was more than just a bird—it was a symbol of grace and celebration. Whether seen dancing in the monsoon rains, adorning temple carvings, or woven into vibrant textiles and henna tattoos, the peacock is deeply embedded in Indian culture and artistry. This pillow is my homage to those rich traditions, bringing the majestic bird to life through the art of appliqué. Through this quilt, I aim to not only celebrate the beauty of the peacock but also to honor the artistic heritage of India, where storytelling through textiles is a centuries-old tradition. I hope this design resonates with quilters who, like me, find inspiration in the vibrant colors and rich symbolism of…

INTERMEDIATE Finished Size 68” × 68” “After my Grandmother Vera's passing, an unfinished quilt top was discovered among her belongings. Age unknown, the piece features 13 different fabrics with 2” squares perfectly hand-sewn into diagonal rows. Using her work as inspiration, I adapted the design into 3” squares, machinesewn with strip sets. Three orange values create a luminous transparency effect, and the insertion of green in the rows provides a bold modern touch while giving the eye a place to rest.” – Dawn materials Fabric yardage assumes 40” usable width of fabric (WOF) unless otherwise noted. Dark Orange Tonal • 1⅜ yards for units and patches Medium Orange Tonal • 1½ yards for units and patches Light Orange Tonal • 1⅛ yards for units and patches Dark Green Tonal •…

EASY Finished Size 57” × 66” Finished Blocks 6” “I think the scrappy pieced sashing makes this quilt unique. It's my bonny tribute to the Scottish Highlands.” – Emily materials Fabric yardage assumes 40” usable width of fabric (WOF) unless otherwise noted. Tan Tonal • 1⅝ yards for blocks and sections Red Tonal • 1⅞ yards for blocks and binding Assorted Prints • 3 yards total for sections Backing • 4 yards Batting • 65” × 74” cutting Patches are lettered in order of use. Measurements include ¼” seam allowances. Tan Tonal 42 squares 4¼” (A) 168 squares 2” (C) 250 squares 1½” (E) Red Tonal 7 strips 2½” × WOF for binding 42 squares 3½” (D) 168 squares 2⅜” (B) Assorted Prints 388 rectangles 1½” × 3½” (G) 224…

INTERMEDIATE Finished Size 42” × 60” Finished Blocks 3” × 7”, 7” × 12”, 7” × 10” “While I have no history of quilting in my family, my mother was an amazing knitter. Back in the 80s, she knitted sweaters for our entire family out of Icelandic Wool. I based this quilt design on the matching sweaters she knitted for my husband and myself.” – Karen materials Fabric yardage assumes 42½” usable width of fabric (WOF) unless otherwise noted. See About This Quilt. Light gray tonal • ½ yard for blocks Medium gray tonal • 1½ yards for blocks and sashes Cream tonal • 2 yards for blocks, sashes, and binding Backing • 2⅞ yards Batting • 46” × 68” cutting Patches are lettered in order of use. Measurements include…

INTERMEDIATE Finished Size 48” × 48” Sweet and simple; count on this pattern to be a great go-to baby quilt! “I love the interlocking play of this design because it really gives the quilt a lot of movement. My inspiration for the design came from boomerangs.” – Melissa materials Fabric yardage assumes 41” usable width of fabric (WOF) unless otherwise noted. White Solid • 1¼ yards for patches Medium Pink Print • ½ yard for patches and binding Yellow Dot • 1 fat eighth for patches (a fat eighth is approximately 9” × 20”) Light Pink Tonal #1 • 1 fat quarter for patches (a fat quarter is approximately 18” × 20”) Light Pink Tonal #2 • 1 fat eighth for patches Yellow Print #1 • 1 fat quarter for…

INTERMEDIATE Finished Size 56” × 72” Finished Blocks 8” Dig into your stash to make this fun, colorful throw. Good contrast between the light and medium/dark batiks will make this quilt come alive. “I love pretty much anything that has to do with pinwheels. And when you can tweak them to create new blocks—that's where the fun begins! This colorful, scrappy quilt just makes me happy!” – Paula materials Fabric yardage assumes 40” usable width of fabric (WOF) unless otherwise noted. Assorted Light Batiks • 4¾ yards total for blocks Assorted Medium to Dark Batiks • 4¾ yards total for blocks Blue Batik • ⅝ yard for binding Backing • 3⅞ yards Batting • 64” × 80” Fusible web Download the Basic Lessons PDF at: www.quiltingdaily.com/quilt-basics-and-lessons/ cutting Patches are lettered…

Getting Started About our Patterns We recommend that you read all of the instructions before starting a project and that you cut and sew one block before cutting all of your fabric. Using a rotary cutter, mat and an acrylic ruler, cut the shape to the size indicated in the cutting list. Pressing tabs indicate the direction to press the seam allowances. Our patterns list finished block sizes, which are typically ½” smaller than unfinished block sizes because they do not include seam allowances. Basic Quilting Supplies Rotary cutter and mat Acrylic ruler: Many shapes and sizes are available; a good one to start with is 6” x 24” with ¼” and 1⁄8” markings Scissors: A separate pair for paper and fabric Sewing machine ¼” foot Walking foot  Darning foot…

Kawaii Appliqué Quilts from Japan By Naomi Ichikawa and Teresa Duryea Wong Take a fun and fascinating look into the world of Japanese kawaii quilts—super detailed appliqué quilts made with thousands of tiny fabric pieces. Learn how kawaii culture began, why it's become so popular, and how it's inspired a whole new style of quilting. You'll also meet six incredible Japanese quilters—Yoko Sekita, Aki Sakai, Reiko Kato, Akiko Yoshimizu, Megumi Mizuno, and Hiroko Akita—who share their stunning quilts, creative spaces, and techniques. This 208-page hardback book is packed with over 200 gorgeous color photos that highlight every tiny detail. Best of all? You can try the style yourself with five exclusive kawaii quilt projects included in the book. Whether you're an appliqué fan—or just love all things cute and crafty,…

INTERMEDIATE Finished Size 15” × 42” Finished Blocks 12” “Last year, a mystery vine began growing outside our garden fence. Applauding its tenacity, I watered and fertilized it, wondering if it was a squash or cucumber. Imagine my surprise when I spotted several orange pumpkins ripening beneath the leaves! In addition to celebrating fall with decorative pumpkins, I love to collect or photograph brightly colored leaves. Shimmering red and gold maple leaves are a favorite.” – Abigail materials Fabric yardage assumes 43” usable width of fabric (WOF) unless otherwise noted. Purple Print, Tan Print, Gold Print, and Red Print • 1 fat eighth each for block Y (a fat eighth is approximately 9” × 20”) Cream Print (see Step 1) • ¾ yard for blocks, sashes, and border Assorted Orange…

Finished Size 67½” × 75” Finished Blocks 15” Cheryl drew inspiration for her quilt from the kiku flower—the chrysanthemum—which holds deep cultural significance in Japan. Often seen as a symbol of longevity and renewal, the kiku is featured in festivals, family crests, and even the Imperial Seal. In this quilt, petals radiate from the block centers to create a design that feels both timeless and fresh—just like the kiku itself. materials Fabric yardage assumes 40” usable width of fabric (WOF) unless otherwise noted. White Solid • 2⅜ yards for blocks Aqua Solid • ⅞ yard for blocks Gray Tonal • 4⅛ yards for blocks and side panels Green Solid • ⅞ yard for blocks Gray Print • ¾ yard for binding Backing • 5 yards Batting • 76” × 83”…

EASY Finished Size 52½” × 62½” Finished Blocks 7½” “I did not have the good fortune of growing up with generations of quilters. But I did have the good sense to buy a vintage quilt when I was starting my family. Its stitches are fraying, its fabric worn at the edges, yet its beauty lies not in perfection but in the stories it holds. The quilt has witnessed countless moments of comfort, warmth, and connection for my family. The vintage quilt is an Orange Peel Nine-Patch quilt pattern with a scalloped border. For a new, reimagined pattern based on this vintage quilt, I highlighted the Nine-Patch block—while creating the illusion of the orange peel without curves. By using squares and V blocks (also called Triangle-in-a-Square), I eliminated the need for…

CHALLENGING Finished Size 63" × 63" Finished Blocks 9" “Growing up in the Midwest brings to mind lush fields of corn, beans, wheat, and gardens found throughout the countryside. This quilt was inspired by those fields lined up in a patchwork of colorful rows as far as the eye can see. The fabrics I chose perfectly represent the colors and textures. The quilt is a little challenging, but I felt that it represents the challenges of life.” – Lori materials Fabric yardage assumes 40" usable width of fabric (WOF) unless otherwise noted. Red Print • 1⅜ yards for blocks, and pieced border 2 Orange Print • 1 yard for blocks, border 1, and pieced border 2 Cream Print • 2⅛ yards for blocks, setting triangles, and pieced border 2 Light…

Tell us a little about yourself? I am an atypical quilter—born in India, grew up in Canada, and am now an American! My family moved to Ottawa when I was two months old. In 1987, I got married and moved to Phoenix, Arizona. I love the desert scenery here and will still take the intense, ridiculous summer heat of Phoenix over the frigid winter days of Ottawa. My husband, Arun, and I are the very proud parents of three children, Jay, Amanda, and Selena, all adults now and all still living in the Phoenix area. My greatest joy in life is my family; it even eclipses quilting! What do you do for a living? Ever since I was a child, I had two passions: sewing and education. I am a…

We invite you to submit your original designs to be considered for publication in Quiltmaker, McCall's Quilting, and Fons & Porter's Love of Quilting and Quick + Easy Quilts magazines. What we look for: Traditional, contemporary, modern, whimsical, and seasonal designs. Home decor items, totes, etc. Techniques including appliqué, foundation piecing, and hand embroidery. Sizes from table runner to bed size. Quilts for children and babies. Quilts designed for precuts like 2½” strips, 5” and 10” squares. Pattern writing experience is not required. We diagram the quilt and write the pattern. Articles about quilting. Submission Guidelines All submissions must be original, unpublished designs. This includes patterns in the store in which you work, in classes you conduct, on your website or online store, as well as images of the quilt…

INTERMEDIATE Finished Size 69” × 95” Finished Blocks 18” The Tree of Life block is a symbol of growth, strength, and connection—and it makes a stunning quilt! Whether you see it as a nod to nature, your quilting heritage, or you love the look of its leafy branches, this traditional design is timeless. A forest of trees comes to life with pieced triangles in warm autumn batiks. The result? A showstopping quilt with deep roots and modern charm. materials Fabric yardage assumes 40” usable width of fabric (WOF) unless otherwise noted. Light Green Batik • 5⅛ yards for blocks, setting triangles, and border Assorted Batiks • 3½ yards total for blocks and border Dark Brown Batik • ¾ yard for blocks Medium Brown Batik • ⅞ yard for binding Backing…

INTERMEDIATE Finished Size 83” × 83” Finished Blocks 10½”, 18”, 16½” × 18”, 16½” “Recently, I came across a publication featuring quilts from Bergen County, New Jersey and was fascinated by the 19th-century coverlets included in the book. This inspired Coventry. My quilt recreates a spectacular coverlet of yesteryear in patchwork. The complex pattern can be broken down into individual blocks based on a 1½” grid. The result is a fabulous two-color quilt that is at once traditional and contemporary. The concentric rings provide movement and harmony and are my favorite part of this design. With the sharp contrast of fabulous red and white (okay, light gray) fabrics, the intricate design sparkles and glows. Of course, any pairing of two colors would work, and a scrappy and white pairing would…

INTERMEDIATE Finished Size 48” × 56” Finished Blocks 8”, 10” “Sampler quilts have always been a favorite of mine. They give me a chance to make a few of my favorite traditional quilt blocks using a variety of techniques. When designing a quilt, I like to use a non-traditional layout and play ‘What if?’” – Sharon materials Fabric yardage assumes 40” usable width of fabric (WOF) unless otherwise noted. Assorted Cream Prints • 1¾ yards total for background Black Print • 1⅜ yards for units, blocks, border 2, and binding Assorted Burgundy Prints • ⅞ yard total for blocks, sections, and patches Assorted Medium Green Prints • ⅞ yard total for blocks, sections, and patches Dark Green Print • ½ yard for blocks, sections, and patches Rust Print • 1¼…

INTERMEDIATE Finished Size 38” × 38” “Kantha quilts from India feature multicolor patchwork and signature parallel straight-line quilting. Kolams are geometric designs created with rice powder at the entrance of homes in South India, with a fresh design produced each morning by the lady of the house. They are built around an array of dots, with straight lines connecting some areas and curves meandering in others. Thinking of the intricate Kolam designs I had seen my grandmothers create during trips to India inspired my attempt at creating a quilted Kolam motif myself. It features lotus petals in three concentric sizes radiating in opposite directions. This quilt was a unique experience; it was the first time I made a quilt based on textile traditions from India!” – Sujata materials Fabric yardage…