MIDWAY THROUGH award-winning author Rabih Alameddine’s new novel-in-fragments, The Angel of History, his narrator Jacob compares AIDS to a river that drowned everything he knew, saying, “I thought I had triumphed, only to discover years later that the river’s persistence, its restlessness, trickled into tiny rivulets that reached every remote corner of my being.”
Like Alameddine, Jacob is a writer, living in San Francisco but raised (in part) in Beirut, Lebanon. But there the similarities end. Jacob has been struck numb and dumb by surviving the first wave of the AIDS crisis, his poetry stoppered; Alameddine burst onto the literary scene with 1998’s searing, experimental novel Koolaids, which contrasted the hell of the Lebanese Civil War with the hell of the AIDS crisis.
“There was nothing reasonable about those years,”…