Innehållsförteckning för July 2024 från Jazzwise

Polling day is just over a couple of weeks away from when this issue goes on sale and putting aside all the (exhausting) hyperbole for one moment, this election offers a chance for a fresh start for the arts in the UK. After 12 Tory Culture Secretaries in 14 years, the arts have been more of a political football, used for fighting culture wars, rather than rightly valued as a source of pride and ‘soft power’ capable of lifting the spirits, enhancing and bringing pleasure to so many people’s lives while generating billions of pounds in revenue and thousands of jobs. Yet, as documented in the Guardian on 15 March, Kier Starmer’s visit to the Guildhall School of Music and Drama the day before provided that rarest of things from…

The Grammy Award-winning jazz composer and bandleader Maria Schneider is set to bring her critically-acclaimed 2020 album Data Lords to the UK for the first time for a concert with the Oslo Jazz Ensemble at the Barbican, London, on 2 March 2025. Released in the depths of the Covid pandemic, the album won Jazzwise’s 2020 Album of the Year, and struck a chord with critics across the board for its timely take on the dangers of big data and power of tech companies; as well as the conflicted relationships between the digital and natural worlds. At the Barbican in March 2025, Schneider will be performing with the 19-piece Oslo Jazz Ensemble, with whom she has worked closely for the last 10 years, and who have become intuitive interpreters of her…

What might be known as ‘the Great Alternative Songbook’ has significant entries. Counter-standards, songs played far more seldom today than, say, Jerome Kern’s ‘Yesterdays’, have come from the pen of writers who have not had the highest of profiles for any number of reasons. Playing in a way that bucked convention puts them on the fringes, as does the knack of writing themes that beguile. But that singularity is exactly why they matter. Herbie Nichols, the 'swing into bebop and beyond' pianist who made visionary music in the 1950s, is a prime example. Vocalist Fay Victor recalls that it was a shock to the system when she first heard him: “A lot of the compositions went way over my head, except for ‘House Party Starting’, that was the one that…

According To The Sound Pitch Losen LOS2902 (CD, DL) Adam Parry-Davies (p), Patrick Case (g, syn), Jim Barr (b), Gary Alesbrook, Nick Malcolm, David Adewumi, Mike Rodriguez (t), James Morton (as), Sam Shotaka, James Carter (ts), Jim Barr, Kaisa Mäensivu, Pasquale Votino (b), Otto Hashmi, Alex Hutchings (el b), Jared Schonig and Justin Brown (d). Rec. date not stated Although for obvious reasons remote recording took off during the pandemic, it is thankfully no longer the only option. But Birmingham’s Parry-Davies and Bristol’s Case have retained it as a working process on their third outing for the Losen label. The duo’s method is to compose a huge number of tunes through improvisation, select the best of the bunch, then add Bristol-based musicians like Morton and Alesbrook, plus New Yorkers such…

The Epicenter of Your Dreams Blue Room Music (CD, DL) EDITOR’S CHOICE John Escreet (p), Mark Turner (ts), Eric Revis (b) and Damion Reid (d). Rec. date not stated John Escreet’s latest album, a sax-and-rhythm quartet, balances trenchant acoustic modernism with the avant-garde and conjures strong emotions with angular musical shapes. Saxophonist Mark Turner is on board, and the rhythm section is the same one that made Escreet’s recent piano trio album, Seismic Shift, such a success. Bassist Eric Revis, long-term mainstay of the Branford Marsalis Quartet and drummer Damion Reid, whose multiple credits range from Steve Coleman to the Robert Glasper Trio, embellish and underpin each rhythmic twist. Turner, playing with harder-than-usual edge, dives into the rhythmic intrigue and solos with vigour. The album opens with 'Call it What…

Francesca IntaktCD422 (CD, DL) EDITOR’S CHOICE David Murray (ts), Marta Sanchez (p), Luke Stewart (b) and Russell Carter (d). Rec. 26-27 November 2023 At Kahil El Z Bar’s concert at the Flagey Jazz Festival in Brussels at the start of the year, David Murray was an illustrious special guest. He played with such impassioned brilliance that anybody of the opinion that he was not as relevant to the contemporary scene as he was in his 1980s heyday would have had to think again. This fine new album with an excellent quartet comprising younger players finds him on stellar form, making the perhaps overlooked point that the 69-year-old saxophonist has always been a strong composer as well as improviser. Here the melodies are alternately joyous and romantic, keeping alive the flame…

Horizons Blue Room Music BRM1014 (CD, DL) Alex Sipiagin (t), Chris Potter (ts, ss), John Escreet (p), Matt Brewer (b) and Eric Harland (d). Rec. June 2023 The tight themes, rich sonics and compact improvisations of trumpeter Alex Sipiagin’s second release for the NewJersey-based Blue Room record label reflect continuity and mutual respect. Saxophonist Chris Potter played on the trumpeter’s debut release, Images, which was released in 1998, and has gone on to appear on nearly a dozen more. And though this is only the fourth album with this particular rhythm section – the first, Balance 38-58, was released on Criss Cross in 2015 – the band members have been rubbing shoulders on the New York jazz scene for more than a decade. Sipiagin’s music gives contemporary modern jazz a…

Louis In London Verve 6554369 (CD, LP, DL) RECOMMENDED Louis Armstrong (t, v), Tyree Glenn (tb), Joe Muranyi (cl), Marty Napoleon (p), Buddy Catlett (b) and Danny Barcelona (d). Rec. 2 July 1968 EveryAll Stars concert for many years began with ‘SleepyTime Down South’ and this one is no exception (the version here coming from the first set at the BBC Television Theatre). Then came ‘Indiana’ – so predictable that when Barney Bigard rejoined the band after a five-year period away, he wrote ‘it was still ‘Indiana’! But this final line-up of the All Stars plays it with conviction and freshness. When Louis came back on stage for the second BBC set in July 1968, after another opening “Sleepy Time’ he dropped ‘Indiana’ as his second number and produced a…

Blackbird: The Colpix Recordings 1959–1963 SoulMusic Records/Cherry Red QSM8CR5218BX (8 CD) Nina Simone (p, v), Al Shackman, Phil Orlando (el g), Jimmy Bond, Chris White, Lisle Atkinson (b), Albert ‘Tootie’ Heath, Bobby Hamilton, Montego Joe (d), The Malcolm Dodds Singers (v) and other uncredited musicians. Rec. 1959–63 Colpix Records, founded in 1958, was a subsidiary of film company Columbia Pictures-Screen Gems. Most of its output consisted of pop songs by movie stars; novelty (Yogi Bear!) and comedy records (Woody Allen’s stand-up debut was released on the label); plus spoken word and documentary albums. The label did however have one bona fide musical superstar – a young Nina Simone. Colpix was the pianist/singer’s first major label after her short and unhappy stint at Bethlehem, which produced a mega-hit in ‘I Loves…

Jelly Roll Blues Elijah Wald Hachette HB £27.98 Subtitled Censored Songs & Hidden Histories, American music historian Elijah Wald uses long-suppressed recordings Jelly Roll Morton made with Alan Lomax in 1938 for the Library of Congress as a launchpad to investigate what might be called “the filth and the fury” that the pioneers of early jazz and blues were steeped in. The “suppressed” recordings Morton made found him singing graphic sexual content – employing what’s often known as ‘the dozens’: rhyming boasts and insults (yes, a precursor to rap!) that he’d learnt in the bordellos of Storyville. Lomax encouraged Morton to sing such ditties, fascinated as he was by African American vernacular culture; but knew that obscenity laws meant they could not then be made publicly available. Times change, and…

ONLY £14.99 The 100 Jazz Albums That Shook The World is an exclusive 100-page definitive guide to the most important and influential jazz albums that have gone on to change and shape the course of the music from the 1920s to the present day. ■ Print-only, premium quality, publication edited and conceived by Jazzwise’s editor-in-chief Jon Newey ■ The first time a fully annotated top 100 jazz album countdown from 100 to No.1 has been published in book form ■ Includes new in-depth editorial on each album from Jazzwise’s acclaimed team of writers, plus in-depth features on the making of the top three albums, a look at the albums that almost made the cut and a guide to buying the featured titles on LP and CD Order online at magsubscriptions.com/music-shop or…

NAME: Marlon Hibbert INSTRUMENTS: Steel pan & vocals EXPERIENCE AND INFLUENCES: Marlon Hibbert began playing the steel pan at age 12 while attending Stanley Tech for Boys (now Harris Academy South Norwood). Over the years he has collaborated with artists such as Zara McFarlane and Lewis Daniel, and has been involved with Kinetika Bloco, performing alongside Mark Kavuma and Ruben Fox. Currently, he can be seen playing with both Luke Baccus and Lox. THIS FUTURE MOVER SAYS: “My aim is to make my instrument an extension of me, my emotions in the moment and the message I want to put across. I’m working toward releasing a track later this year and putting on my first show with Jazz re:freshed in August. Music has been the cornerstone of my life, from childhood…

With British jazz these days even gaining respect in the States, it’s hard to remember when European musicians mainly aspired to rather lacklustre imitations of their favourite Americans. It takes an effort, then, to appreciate the achievement of John Dankworth on his band’s only US tour, including gigs alongside Louis Armstrong’s All-Stars and an appearance at Birdland, while on 3 July 1959 their bus pulled into the Newport Jazz Festival (photographer Burt Goldblatt witnessed the road manager calling out “Chaps! Chaps! Don’t wander off!”). Their set was preserved on a long-forgotten LP, London To Newport (released in the US as Bundle From Britain, and briefly reissued on CD as Britain’s Ambassador Of Jazz). Repertoire is straight-ahead, with an old Basie tune, three Ellington-related ones, and three originals in the same…

I was 13 when I ran on to the pitch at Crystal Palace to get the goalkeeper’s autograph, and 14 when I waited for Richard Burton outside the Old Vic stage door. Around the same time, I found a book about jazz in the local library and cut out some of the photographs, formal portraits of black men in suits; King Oliver and Jelly Roll Morton. Shameful, I know, but the purloined prints served as backdrop to a life-altering correspondence with a musician who had played in the bands of both leaders, and with other great names in New Orleans jazz. The postwar revivalist movement, spearheaded in part by the 're-discovery’ of trumpeter Bunk Johnson, was still in full swing when jazz reached out and discovered me. From the monthly Jazz…

Remembrance Thirty Tigers 83830 (CD, LP, DL) EDITOR’S CHOICE Chick Corea (p) and Béla Fleck (bjo). Rec. 2019 By the time a teenage banjoist called Béla Fleck had become entranced by Chick Corea’s music in the 1970s, the piano star had already been anointed by Miles Davis, and become an emerging force in rock and Latin fusions with jazz. Fleck was a quarter-century older and a multi-Grammy-winning legend of bluegrass and a swathe of jazz, classical and global crossovers before the two finally played together in the 2000s. As the millennium turned, they began guesting on each other’s projects, and by 2007, they had become an enthrallingly compatible duo. After Corea’s death in 2021, Fleck pondered some unreleased 2019 duo concert recordings, and sound files the pair had exchanged in…

Magnus Öström & Dan Berglund e.s.t. 30 ACT Music ACT9987 (CD, LP, DL) Magnus Öström (d), Dan Berglund (b), Verneri Pohjola (t), Magnus Lindgren (ts), Joel Lyssarides (p) and Ulf Wakenius (g). Rec. 14 October 2023 Thirty years after the formation of e.s.t., Öström and Berglund have assembled this all-star cast to celebrate the music of that groundbreaking trio. It is easy to think of Esbjörn Svensson’s compositions as the collective voice of the trio, rather than autonomous compositions in their own right. But as early as 2004, Viktoria Tolstoy recorded an album of Svensson songs (Shining on You), which demonstrated that his songs had a life of their own away from the trio. These six instrumentals, recorded live at the Kölner Philharmonie in Germany last October, include compositions such…

3+3 And Then Cuneiform RUNE525 (CD, LP, DL) EDITOR’S CHOICE Tomeka Reid (clo), Mary Halvorson (el g), Jason Roebke (b) and Tomas Fujiwara (d). Rec. 20-21 August 2023 Aside from her work with Nicole Mitchell and Art Ensemble Of Chicago, Tomeka Reid has staked a claim as a key figure among the relatively small number of cellist-composer-bandleaders in improvised music. She is an excellent soloist, as commanding with pizzicato as she is arco, but she also has a gift for writing melodies that can be as charmingly nostalgic as they are seductively unsettling. Reid’s thematic material is abundantly rich and her longstanding quartet is an exemplary vehicle for bringing it to life, partly because of the astute choice of instrumentation, in which Reid’s cello, Jason Roebke’s double bass and Mary…

Paul Bryan Western Electric Self-release If slacker jazz is a thing, then in-demand session bassist/synth player Bryan has nailed it here with this downbeat but detailed electro-trio album. Also featuring drummer Jay Bellerose (Diana Krall) and saxophonist Josh Johnson (Makaya McCraven), this freewheeling set is perhaps best summarised as Boards of Canada meets Sonny Rollins. (MF) Nicola Caminiti Vivid Tales of a Blurry Self-Portrait Self-release/Bandcamp A very promising debut from this talented young Italian alto and soprano saxophonist and his bass-drums-piano rhythm section. The 11 tunes, which seem to focus on the composer’s experiences as an immigrant in New York, are all Caminiti’s own, and demonstrate a remarkable degree of sophistication and maturity. One to watch. (KW) Max Clouth Entelecheia Bellaphon German guitarist Clouth is a dab hand at ethnic…

Duke Ellington Copenhagen 1958 (Bonus: After Hours 1950) Storyville 1018540 (CD, LP, DL) RECOMMENDED Duke Ellington (p, cond), Cat Anderson, Harold Baker, Ray Nance (t), Clark Terry (t, flhn), Britt Woodman, Quentin Jackson (tb), John Sanders (vtb), Johnny Hodges (as), Russell Procope (as, cl), Paul Gonsalves (ts), Jimmy Hamilton (ts, cl), Harry Carney (bs, cl, bcl), Jimmy Woode (b), Sam Woodyard (d) and Ozzie Bailey (v). Rec. 7 Nov 1958; plus Ellington (p), Hamilton (cl) and Don Byas (ts). Rec. 31 May and 6 June 1950 This is by no means the first collection released posthumously from Ellington’s 1958 European tour, and the opening two-thirds of the album may not be the best example of that period. It has its good points, including a live version of the band’s mid-1950s…

Classical BROUGHT TO YOU BY L’Arpeggiata/Christina Pluhar Wonder Women Erato The booklet notes to this release open with words by Maddalena Casulana, the 16th-century composer, lutenist and singer, something of Renaissance wonderwoman; but instead of wearing a cape, she plays a lute. On the evidence of this disc, L’Arpeggiata director Christina Pluhar is cut from the same cloth as Casulana. We’re told that the album is a tribute to female composers of the 17th century as well as a celebration of ‘all aspects of womanhood, and women with all their talents’. And so it is. There’s music, as you might expect, from now-household 17th Century names Francesca Caccini, Barbara Strozzi and Isabella Leonarda. But there are also wonderful surprises thrown into the mix, including traditional songs from Mexico and Italy…

MONDAY 1 Michael Young Trio Engine Room, High Street West, Sunderland 1 Will Barry 606 Club, 90 Lots Road, London SW10 1 Sam Braysher Quartet Pizza Express Jazz Club, 10 Dean Street, London W1 1 Ronnie Scott’s Jazz Orchestra Ronnie Scott’s, 47 Frith Street, London W1 1 Pete Allen Band with Denny Illet Jr The Conservative Club, Radway Place, Sidmouth 1 Joabe Reis World Heart Beat Embassy Gardens, 3 Ponton Road, London SW11 TUESDAY 2 Enrico Tomasso Quartet Watermill Jazz, Betchworth Park Golf Club, Dorking 2 The London Vocal Project Pizza Express Jazz Club, 10 Dean Street, London W1 2 Arturo O’Farrill Afro Latin Jazz Quintet Ronnie Scott’s, 47 Frith Street, London W1 2 Magpie Trio East Side Jazz Club, 2 Harvey Road, London E11 WEDNESDAY 3 Adam Glasser Trio…

Brazilian vocal legend Milton Nascimento and multi-award winning bassist/singer Esperanza Spalding are set to release a new album, Milton + esperanza, on 9 August on Concord Records. It’s Spalding’s first major album since her recent more experimental releases (2018’s 12 Little Spells and 2021’s Songwrights Apothecary Lab). Concord claims it also finally realises the duo’s creative chemistry that was first heard on ‘Apple Blossom’ on Spalding’s breakthrough 2010 album Chamber Music Society. The new album features 16 tracks that celebrate and reimagine five of Nascimento’s best-loved classics, plus newly written originals by Spalding, alongside interpretations of The Beatles’ ‘A Day In The Life’ and Michael Jackson’s ‘Earth Song’ among other works exploring the music of Brazil and beyond. Guest appearances include Paul Simon, Dianne Reeves, Lianne La Havas, Maria Gadú,…

With its native jazz scene currently enjoying a resurgence, Scotland’s two major summer jazz festivals have announced their 2024 line-ups. First up is Glasgow Jazz Festival which returns from 19 to 23 June, with more than 20 events across the city. Performances include the return of US sax great Bobby Watson, who is back at the festival for the first time in 30 years with his Quartet, while newer names to look out for include spiritual jazzers Mama Terra who salute Herbie Hancock’s jazz-funk classic Head Hunters; vocalist kitti delves into her Caledonian Songbook, paying homage to songs in the Scots tradition; Winner of 2023 BBC Radio Scotland Young Jazz Musician of the Year, pianist Ben Shankland also performs; and the Glasgow Improvisers Orchestra reunite with vibes virtuoso Orphy Robinson.…

Despite having one of the most immediately recognisable alto saxophone sounds in jazz, David Sanborn always played down the idea of having a ‘signature sound’. Initially influenced by Hank Crawford, Sanborn also studied with tenorist JR Monterose, but was equally influenced by David ‘Fathead’ Newman, and the phrasing and attack of fellow altoist Phil Woods. Initially taking up the saxophone after an attack of polio, he quickly became stunningly proficient. By his mid-teens he was playing with Albert King, and at the age of 22 he joined the Butterfield Blues Band and played the legendary Woodstock festival. But blues (and soul) were not his only interests. Born in Florida, with a childhood in Kirkwood Missouri, he settled in St Louis, and regarded that as his home city. There he was…

Call it the rigours of the road. Many hazards can trip up an artist on tour, from the woe of homesickness to the blight of fatigue and the curse of illness. Above all, time, a very precious entity for improvising musicians, is hard to control. James Brandon Lewis proves as much, arriving late for our interview at London’s Vortex club, where his quartet has a hotly-anticipated gig in just a few hours. He is up against the clock. “For whatever reason, the plane didn’t land ‘til later than planned, then there’s going through customs, getting all the luggage, so by the time you get on the bandstand you’ve probably gone through more than a construction worker in a day,” he says, still looking fresh following a flight from Mantova, Italy.…

Journey in Black Crehz Music (CD, DL) Christie Dashiell (v), Allyn Johnson (p), Shedrick Mitchell (org), Marquis Hill (t), Romeir Mendez (b) and Carroll ‘CV’ Dashiell III (d). Rec. date not stated Born in Washington, DC and raised in Greenville, North Carolina, vocalist Christie Dashiell honed her skills at Howard University (where she now teaches) and the Manhattan School of Music. A recipient of DownBeat magazine’s Best College Graduate Jazz Vocalist and Outstanding Soloist awards in the jazz vocal category, Dashiell possesses a sumptuously rich timbre, a powerful storytelling gift and the ability to craft songs which lodge immediately in the heart. Her second album Journey in Black brings together seven fabulous originals and a brace of adroitly reimagined covers. The imposing album opener ‘Ancestral Folk Song’ begins with a…

Sweet Whispers: Celebrating Sarah Vaughan Eternal Source Of Light ESOCD/LP4 (CD, LP, DL) EDITOR’S CHOICE Zara McFarlane (v), Giacomo Smith (cl, ss), Gabriella Swallow (clo), Joe Webb (p), Ferg Ireland (b), Jas Kayser (d) and Marlon Hibbert (steel pan). Rec. date not stated In the world of vocal jazz, few names command as much reverence as Sarah Vaughan. Known as the ‘Divine One’, Vaughan’s incomparable artistry and pioneering spirit have inspired generations of singers, including the multi-award-winning singer-songwriter, Zara McFarlane. To celebrate the centenary of Vaughan’s birth, McFarlane pays tribute to her musical muse with Sweet Whispers: Celebrating Sarah Vaughan, a captivating album that breathes new life into some of the timeless songs that defined Vaughan’s illustrious career. From a swinging ‘Tenderly’, Vaughan’s first solo hit, to the sublime tenderness…

Evergreen Verve 653767 (CD, LP, DL) Julius Rodriguez (p, ky, syn, d, b, g, cl, prog), Luke Titas, Brian Richburg (d), Nicole McCabe (as), Nate Mercereau (syn, g), Philip Norris (el b, b, d), Jermaine Paul (b), Emilio Modeste (s), Alonzo Demetrius, Keyon Harrold (t), Declan Miers (b), Chris Lewis (ts), Jay Adlher and Georgia Anne Muldrow (v). Rec. date not stated Drummer, pianist, multi-instrumentalist, composer, producer and (since he’s still only 25) wunderkind Julius Rodriguez has spent several years as a sideman for some ofAmerica’s brightest: Kurt Elling, Keyon Harrold and Wynton Marsalis among them. As a long-time member of Isaiah Barr’s Onyx Collective he’s collaborated with A$AP Rocky and members of the Wu Tang Clan, and has cited influences – Duke Ellington, John Coltrane, Thelonious Monk – passed…

John Abercrombie/Dave Holland/Jack DeJohnette Gateway ECM Luminessence 1061 (LP, DL) RECOMMENDED John Abercrombie (g), Dave Holland (b) and Jack DeJohnette (d). Rec. March 1975 Abercrombie had debuted as a leader in his own right on the ECM label in 1974 with a trio comprising DeJohnette and Jan Hammer on keyboards (who a matter of months before had been a member of the Mahavishnu Orchestra); that LP, Timeless, was an album of its time, of fire and passion, but elegance too, replete with exciting and wholesome jazz improvisation while revealing a more lyrical side of Hammer not heard in Mahavishnu which has stood the test of time. Gateway, by contrast, is a more laid-back affair, with four of the six tracks composed by Holland. These tend to be functional, to set…

Various Artists Groove Of ESSR: Funk, Disco, Jazz From Soviet Estonia Vol I (1974-1988) Funk Embassy FER-003RP (CD, LP, DL) Vol II (1973-84) FER-008 (CD, LP, DL) Collectively featuring Gunnar Graps, Uno Naissoo, Marju Kuut, Jaan Kumani, Collage and others. Rec.1973-88 As the annual Jazzkaar festival shows, Estonia has both an eager audience for jazz as well as an impressive contemporary talent pool. These two brilliant compilations shine a light on the historical depth of the latter. Covering a pivotal period, from the early 1970s to the mid ‘80s, when the country was still part of the Soviet Union, the material has a unique blend of local folk and international flavours, making the point that black music, evolving through jazz, soul and funk, found its way to the Estonian Soviet…

Techra Donati 5B and X-Carb 7A carbon fibre drumsticks Many moons ago, we tested a carbon fibre double bass bow, the results of which were not exactly positive; so it was fascinating to see how these new Techra carbon fibre drum sticks would perform when compared to the standard wooden sticks. As with the carbon fibre bow, the physical make-up of carbon fibre is in complete contrast to that of wood, so we were interested to see if there were any sonic differences; and if so, how marked and positive or negative they would be. The Italian company sent Jazzwise the signature Virgil Donati 5B and an 'X Carb' 7A model. Both models are hollow, and at 61.6 grams come in at around 20% lighter than the equivalent wooden stick.…

BBC RADIO 2 88-91 FM and DAB Jamie Cullum show (Tues, 9pm) BBC RADIO 3 90-93 FM and DAB 'Round Midnight (Mon-Fri 11.30pm) Jazz Record Requests (Sun, 4pm) BBC RADIO 6 MUSIC DAB Gilles Peterson, Sat 3pm JAZZ FM DAB, Sky, Alexa, smartphone, tablet and online at jazzfm.com (Mon – Fri) 6am-6.30am Business Breakfast, 6.30am-10am Jazz FM Breakfast with Nigel Williams, 10am-2pm Midmornings with Danielle Perry, 2pm-6pm Afternoon drive with Simon Philips, 6pm-7pm Jazz FM’s Greatest with Mark Walker, 7pm-9pm Dinner Jazz with Mark Walker. (Mon) 9pm-10pm The Performance Series with Ruth Fisher, 10pm-Midnight Late Night China Moses. (Tues) 9pm-10pm Jazz Travels with Sarah Ward, 10pm-Midnight Late Night China Moses. (Weds). 9pm-10pm The Big Easy with Lil’ Koko. 10pm-Midnight Late Night China Moses. (Thurs) 9pm-10pm True Brit with Helen Mayhew.…