Innehållsförteckning för June 2017 från Digital Camera Magazine

THE art of landscape photography can be one of the most satisfying and enjoyable genres to indulge in. Not only are the creative possibilities endless, but being outside and connected with the wild elements is a joy in itself. However, it can also be one of the most frustrating genres to master. So, this issue we’ve created a bunch of cool features to help you on your way. James Abbott takes you through the basics, Gordon Laing shows you how to get it right in-camera, and master photographer Paul Gallagher shares his wisdom. Plus there’s loads of other gems of advice, kit buying tips, killer techniques and world-class images to inspire you. I teamed up with readers Paul and Margaret for this month’s Shootout in Snowdonia, North Wales, which is…

Fujifilm GF23mm f/4 R LM WR June sees the release of two new lenses for Fujifilm’s GFX system. This ultra-wide gives the equivalent view of an 18mm lens on a full-frame DSLR… www.fujifilm.eu/uk; £2,399/$2,600 Fujifilm GF110mm f/2 R LM WR … While this lens gives the equivalent view of 87mm on full-frame. It should prove a good choice for portraits, especially with that wide f/2 aperture. www.fujifilm.eu/uk; £2,599/$2,800 Manfrotto Nitrotech N8 Manfrotto’s new fluid video head supports up to 8kg and has a nitrogen piston mechanism, said to give continuous counterbalance. www.manfrotto.com From £450…

Panasonic Lumix TZ90 The highlights of this 20.3MP compact include a 30x zoom, 4K video (and 4K Photo modes), plus a 0.2-inch EVF as well as the rear screen. www.panasonic.com; £399 Canon PowerShot SX730 HS Canon’s 20.3MP travel compact packs a 40x optical zoom, a tilting 7.5cm screen, Digic 6 processing and continuous shooting at 5.9fps. www.canon.co.uk; £380/$399 Sennheiser MKE2 elements Action Mic This rugged microphone, complete with windshield, has been designed to go anywhere with the GoPro Hero4 and can even record sound underwater. en-uk.sennheiser.com; £179/$200…

YOGESH Nanalal Gajjar, or Yogi as he’s known to many, has a distinctive style when it comes to portraiture photography. In his most recent project, Yogi’s idea was to create a crossover between English and French style projects by getting his model to blow glitter towards the camera. “My key goal was to capture eyes that reveal the story.” Yogi says. Model Yaz (Yogi’s top model) was able to provide a happy and glamorous look that instantly connects with the audience. “It captures that va va voom: British elegance and French grace!” he says, which is one of the main successes behind this shot. When it comes to shooting portraiture, communication with your model is key. Yogi truly believes in inspiring people to be themselves and having an open dialogue.…

TOP TIP Avoid making the sky look darker than the foreground, as this will look unnatural and simply draw attention to the filter. YOU can reduce the intensity of a bright sky and bring its exposure in line with that of a dark landscape by using graduated neutral-density filters. The trick here is to expose for the darker landscape (as above), then select a filter that is the correct strength to bring the exposure of the sky within the sensor’s dynamic range. You don’t have to do any complicated calculations: start with a two-stop or three-stop filter, take a test shot and check the histogram. If the right side of the histogram is pushed up to the edge of the graph, use a stronger filter.…

WITH over 30 years worth of published work behind him, Mike Inkley provides live and dynamic motorsport content to the national press. Speed and image quality is paramount to the work he produces, as editing rarely fits in with his client’s live reporting deadlines. Speedy subjects are where Mike spends most of his time, so he needs a camera that can keep up. He shoots fast cars and jets, but is equally at home in nature, and liberally intersperses this with “hiding in the wilderness for a bit of a break”. Embracing the change Mike was a Canon Pro for many years, but swapped to the Olympus system in 2015 with the OM-D E-M1 Mark I. “I upgraded to the Mark II earlier this year, and business is booming as…

BlackRapid Binoc Breathe Strap £40/$40 www.blackrapid.com While it’s billed as a strap for binoculars, this neck strap will attach to a camera equally easily. Its unique feature is a breathable, stretchy and very flexible neck pad. It also folds small and can be detached quickly, but the price still seems high next to the Matin strap. Matin Neoprene Comfort Strap £16/$24 www.cameraclean.co.uk Based around a thick and highly flexible neoprene neck pad, which stretches slightly to better suspend a heavy load, Matin’s entry gets top marks for value. A textured rubber coating on the underside adds comfort and is easily cleaned. Two quick-release clips mounted close to your camera leave unobtrusively short sections of strap attached if the neck piece is removed, and these can be joined to form a…

SEAN McCORMACK Photographer and writer Sean McCormack is a photographer and writer based in Galway in the west of Ireland. He’s the author of The Indispensable Guide to Lightroom CC. seanmcfoto.com Lightroom SOFTWARE Lightroom CC/6 GET IT FROM www.adobe.com GET START FILE FROM www.bit.ly/dc191files WATCH VIDEO www.bit.ly/ dc191video DOWNLOAD THE VIDEO www.bit.ly/ dc191bonus LANDSCAPE imagery is near and dear to most photographers, capturing the beauty we see as we travel through our lives. One thing you’ll notice pretty quickly is that unless the sun is at your back, the sky will be much brighter than the land, especially for sunrise and sunset. Traditionally photographers would use graduated filters for this, but there is a way to go without them. That way is high-dynamicrange or HDR processing. Here you combine a…

THE BIG INTERVIEW PAUL GALLAGHER This landscape photo icon speaks about his progression with the medium THE PERIMETER QUINTIN LAKE Photographer Quintin updates us on his coastal hiking adventure QUESTION MASTER ANDREW JAMES Our technical guide is on hand to answer all of your tricky questions HOTSHOTS RPS BIENNIAL Our selection from the prestigious 2017 RPS member exhibition LIGHTROOM SEAN McCORMACK The Lightroom master shows you how to use the Merge to HDR tool IMAGE ANALYSIS FABIO ANTENORE We explain the secrets behind why this landscape scene works IN-CAMERA EXPERT GORDON LAING Gordon reveals how to shoot straight out of the camera TOOL SCHOOL JAMES PATERSON James teaches you how to get creative with Photoshop brushes…

Best entry-level DSLR Nikon D5600 Best AP S-C expert DSLR Pentax KP Best full-frame expert DSLR Canon EOS 5D Mark IV Best professional DSLR Sony Alpha 99 II Best medium-format camera Fujifilm GFX 50S Best entry-level mirrorless CSC Fujifilm X-T20 Best expert mirrorless CSC Fujifilm X-T2 Best professional mirrorless CSC Olympus OM-D E-M1 Mark II Best DSLR wide-angle zoom lens Sigma 12-24mm f/4 DG HSM Art Best DSLR standard zoom lens Canon EF 24-105mm f/4L IS II USM Best DSLR telephoto zoom lens Tamron SP 150-600mm f/5-6.3 Di VC USD G2 Best DSLR prime lens Sigma 85mm f/1.4 DG HSM Art Best professional lens Nikon PC Nikkor 19mm f/4E ED Best CSC standard zoom lens Panasonic Lumix G X Vario 12-35mm f/2.8 II ASPH Power OIS Best CSC telephoto zoom…

THE Victoria and Albert Museum is expanding its collection of historic and contemporary photography, thanks to the transfer of the Royal Photographic Society collection – including over 270,000 photos and 6,000 pieces of camera-related equipment from the Science Museum Group. The V&A has announced that it will make the collection more accessible than before, including the creation of a new Photography Centre, due to open in Autumn 2018, a photography festival and a new digital resource. www.vam.ac.uk…

BOKEH is a Japanese word used to describe the blurred, out-of-focus parts of an image. The ‘character’ of the blur is determined by the aperture in your lens, which is typically circle-shaped. So if you shoot fairy lights out of focus, for example, they’ll appear as blurred circles. But you can go one step further and create custom bokeh shapes by making a simple DIY hack lens cap that fits over your lens! We decided to use coloured paper, as this also creates a filter haze that adds to the abstract effect. If you don’t want this effect, simply use black paper instead. For this photo project you’ll need some paper, a rubber band, a pen, a craft knife, scissors and a cutting mat. Step 1 Place your lens or…

ALTHOUGH firework season is often thought of in the UK around the 5th November, there are many occasions throughout the year where you may be lucky enough to witness a stunning display. For instance, in the summer months there are endless displays happening, from weddings to regattas, so really there’s no excuse! Photographer Manish Patel likes to take a different approach to the subject, with alternative techniques and in some cases different kit. For this photo project he encourages you to try something new to capture your firework crackers! Here are some tips and techniques from Manish to inspire you… manishpatelphotography.com Technique 1 Photoshop it Manish says: This image was taken at a Billericay Round Table event, at the Lake Meadows park. I opened the original image in Photoshop and…

1 FIXED RANGE Cameras have fixed dynamic ranges, with some offering a wider dynamic range than others. 2 EXPOSURE DIFFERENCE Here, the exposure difference between the bright sky and the land below is too big. 3 SHADOW DETAIL The camera has given more prominence to foreground detail, which blows out the sky. 1 HIGHLIGHT DETAIL Exposing for the bright sky plunges the land into darkness, illustrating the problem clearly. 2 COMPROMISE? Expose for a midtone: you will get a brighter image, but may lose details in both highlights and shadows. 3 FIX THIS! To control the dynamic range, use graduated filters or take a range of exposures and blend them. TODAY’S digital cameras can capture a wide range of different brightness levels, but there is still a limit. When the…

RAW files are capable of holding a wider dynamic range than JPEGs, but both the histogram and the preview image that you see on the back of the camera are based on a JPEG version of the image. A raw file contains more information in the brighter and darker areas, which means that you can tease out detail that might otherwise appear lost when you check the picture on the rear screen. For instance, if you develop a raw file in Lightroom or Photoshop’s Adobe Camera Raw plug-in, you can apply a digital graduated filter on the sky, use the Shadows slider to reveal detail in dark areas and fine-tune the Whites and Highlights sliders to pull back detail in clouds and other areas in danger of being overexposed. You…

HEAVEN Time-blending Because Fabio kept the camera in the same position for an hour, he was able to capture and blend long and short exposures. This meant he caught the last sun-rays in the foreground. “The long exposures were for softer shadows and blurred clouds, and the short ones for sharp grass,” he says. Dreamy dyes Fabio’s goal was for the look and atmosphere of the image to be dreamlike, which he’s achieved by changing the greens and blues in post-processing for a softer feeling. “The colours in a picture are the soul of it.” he says. “I also used an Orton effect to really soften the light.” In the shadows Stunning landscapes like this work because they record the full tonal range of a scene. Here, the evenly distributed…

Margaret LLYN Gwynant is a very accessible location: the lake shore is just a few metres from the road. It was also just a few minutes’ drive from our hotel, making it the perfect spot to capture the scene at dawn. “We arrived just as the sun was rising and initially the colours were cold,” Margaret says. “I took this shot as the sky was beginning to warm up. The early morning meant that the lake was calm and the reflections were strong. I liked the skeletal pattern of the tree and chose a portrait orientation so that it would frame the mountain.” Walking on water To avoid wet feet when you’re shooting near a lake, be prepared by packing waterproof boots. Here, a better angle for the reflection was…

DISCONCERTED OVER DIOPTERS? PUZZLED BY PINCUSHION? Send your question to digitalcamera@futurenet.com and let us provide you with a solution ANDREW JAMES Our expert photo advisor is here to help Making a beeline Q I’ve spent hours trying to shoot a bee in flight, but nothing was sharp. Can you help? Bryan Oldchurch A Well, you are not exactly picking yourself an easy subject, Bryan – a small, flying insect that is difficult to predict and focus on! I’ve played around with flying bees as a subject a few times, and I have had some success, both with a medium-length telephoto and a macro lens. On a warm day, before it gets too hot and the bees go into hyper-drive, get comfortable close to a bee-attracting flower. Have your camera set…

AT HARLECH Castle, Easter is in full swing. Martial shouts from a rugby match are heard from the parapets, evoking the past battles these walls have witnessed. “Ice cream, ice cream, ice cream, ice cream,” a girl wails. cream,” her weary mother concedes. Later, Portmeirion’s Italianate dome and towers catch the last golden light of the day, nestled between woodland above the estuary and the jagged peaks of Snowdonia running along the horizon behind. This is a vista to dwell over, so I pitch here and shoot the scene at both dusk and dawn the next day. Swirls of sand At Black Rock Sands, I’m surprised to see cars driving on the beach. Ammonite-like spirals are left in the sand where the cars have done handbrake turns. One car has…

SPECIFICATIONS Construction CarbonExact Sections Three Leg tube diameters 29, 32.9, 37mm Leg locks Twist lock Leg angles 23, 53, 86 degrees Folded length 69cm Maximum height 156cm Minimum height 11cm Max payload 25kg Weight 2.31kg Centre column Optional Head Not supplied (standard 3/8-inch screw) GITZOis renowned for making some of the best tripods on the market, not to mention the most expensive – and right at the top of the range are the newly updated Systematic tripods. So what does make a set of tripod legs (just the legs, mind) worth £770/$940, and how can a tripod be part of a ‘system’? There is not one Systematic tripod but no fewer than 12, organised into three series. Within each series there are further options, with a choice of leg lengths…

Even if you only have a single sharp image, you can still apply the effect by creating the motion blur in Photoshop. The advantage is that the blur will be perfectly straight, but the downside is that it will lack the organic look and feel of in-camera blur. To create a layer of blur, duplicate the Background Layer by selecting it and pressing Ctrl/Cmd+J. Then go to Filter > Blur > Motion Blur; when the dialogue box opens, set Angle to 90° and the Distance to an amount that stretches out the tall elements in the image. You can now blend the two layers together using a Layer Mask.…

JAMES PATERSON Editor, Practical Photoshop With a decade as a working writer and photographer behind him, James knows which Photoshop and Lightroom tools and techniques matter the most to you. Photoshop SOFTWARE Photoshop CC GET IT FROM adobe.com GET START FILES FROM www.bit.ly/dc191files WATCH VIDEO www.bit.ly/ dc191video DOWNLOAD THE VIDEO www.bit.ly/ dc191bonus 1 CREATE A LETTERBOX BORDER Make a new layer then grab the Rectangular Marquee tool. Hold Shift and drag boxes over the top and bottom. Go to Edit > Fill, set Contents: Black and click OK. Next, highlight the bottom layer and click the Create Adjustment Layer icon in the Layers panel. Choose Exposure and slightly increase Offset. Click the Adjustment Layer icon again and choose Color Lookup. Experiment with the various Color Lookup presets; we’ve used 3DLUT…

Teach Yourself Lightroom Teach Yourself Lightroom offers over four hours of professional guidance, and is broken down into 55 parts! Discover how to get started with the Lightroom interface and how to master all the key creative tools at your disposal. To start watching now, visit www.bit.ly/dc191tylr – or download the videos via www.bit.ly/dc191bonus Nine landscape tips cards To tie in with our spectacular landscape special issue, we’ve themed this month’s collectable tips cards. Learn all about aperture and the drastic difference it can make to the final result. We also have some creative ideas for you to try, from shooting a segmented landscape to processing a HDR monchrome result. You’ll never be without inspiration or technical advice if you keep these cards to hand! Look for your cards after…

Panasonic Leica DG 8-18mm f/2.8-4 This Lumix G CSC lens gives an equivalent 16-36mm full-frame view and features a dust/splash-proof design, as well as two ED lenses. www.panasonic.com; £1,049/ $1,098 Zeiss Batis 135mm f/2.8 This is the fourth lens in the Batis series, Zeiss’s lens range for Sony’s E-mount mirrorless cameras. It features a neat OLED display that shows the focus distance and depth of field. www.zeiss.co.uk; £1,750/$1,999 Sony FE 100-400mm f/4.5-5.6 GM OSS Sony’s new G Master lens introduces a zoom torque adjustment ring and a customisable focus-hold button. It features 22 elements and focuses down to 3.22 feet www.sony.co.uk; £2,500/$2,498…

THE Belgian photographer Frederik Buyckx has been named Photographer of the Year in this year’s impressive Sony World Photography Awards, and picks up the top prize of $25,000 for the best photography series. Frederik’s winning ‘Whiteout’ set of images charts the transformation of the landscape as winter arrives in the remote areas of the Balkans, Scandinavia and Central Asia, and how the people and animals that live there cope with the extreme weather. The judges were reportedly taken by the ‘beauty, scale and effort’ of Frederik’s starkly elegant images, which the freelance photographer for the Belgian newspaper De Standaard captured on a Canon EOS 5D Mark III. www.worldphoto.org…

Take three shots in five minutes HEAD out the front door of your house and take three photographs (no more, no less!) in the space of five minutes. This fun project isn’t a test – it’s designed to get your creative juices flowing! It’s important to not break the three-shot rule and to stick to the time limit. That way you’ll be forced to make creative and technical decisions under pressure, which will help you grow as a photographer. Two considerations to take into account are the time of day you choose and the weather conditions. You’ll get very different results depending on these factors. We opted for a twilight hour on a spring evening. See what you can come up with... Shoot the sky IF you like the landscape…

RETOUCHING and image manipulation have become so commonplace that many photographers assume they’re a necessary part of achieving the perfect picture. But while manipulation is an important – and, for some, enjoyable – part of certain photographic genres, it’s far from mandatory for other types of shot. When I started out with film photography in the 1980s, I had access to a darkroom, but I tried hard to achieve the look I wanted in-camera. Sure, I could correct images afterwards, but it felt much more satisfying to get them right at the point of capture. Today I apply those same techniques of careful composition, exposure and physical filters with digital imaging, and exploit modern technology to help me nail the result all in-camera. I use alignment grids to aid composition,…

Changing the exposure makes a landscape look brighter or darker and pushes the histogram to either the right side of the graph or to the left, but it doesn’t expand the overall dynamic range. If the histogram is squashed up against just one side of the graph, then either increasing or decreasing the exposure will move the histogram along the graph and can potentially pull the clipped information back within the camera’s dynamic range. Note this only applies if there’s enough exposure latitude. A narrow histogram has lots, enabling you to make fairly big exposure adjustments without losing any details, but landscapes are typically quite high-contrast scenes, with bright skies and dark foregrounds……

NEXT MONTH Working with Wi-Fi and Bluetooth ALTHOUGH it’s possible to extract a greater amount of detail from raw files, you should still try to get the exposure right in-camera. If the bright areas have been extremely overexposed, they’ll contain no detail, and trying to rescue them in software will leave them looking muddy and featureless. If you try and brighten areas that were very underexposed, you may just reveal more noise.…

1 Leave some room It is tempting to get in as close as possible to your subject, especially with a macro lens, but leave a little room around the insect. This helps prevent you from spooking the insect, and allows some compositional fine-tuning later too. 2 Use continuous focus Switch the AF system to continuous so that the focus is constantly re-adjusting. This way, if the insect moves around a little, as long as you keep the AF point aimed on the right spot, the focus will automatically change with the insect’s position. 3 Keep the speed up Don’t shoot with a slow shutter speed. You need to be aiming for over 1/500 sec if you are hand-holding, but keep it as high as possible even if you are on…

GET RATED! Email your shot to digitalcamera@ futurenet.com (subject line: Rate My Photo) IRINA SAYS: This is a detail of a railway rotary snowplough taken just outside Anchorage, Alaska. The nine-foot rotary snowplough was used by the Alaska Railroad more than 100 years ago to clear snow along Turnagain Arm of the Cook Inlet and through the Kenai Mountains. For years I’ve been drawn to shoot this piece of equipment. This time I wanted to go for a grungy, industrial look, although I wasn’t sure how a close-up image would pan out with the HDR effect. Three hand-held photos were taken for this image on my Canon EOS 60D with an 18-55mm lens at the focal length of 18mm, and then combined in Photoshop. ANDREW SAYS: Irina, you are a…

We’re giving away this versatile Lowepro daypack worth £99 to the winner of our new assignment. The Photo Hatchback BP 250 AW II is a 22-litre pack that can swallow an SLR with an attached lens, plus two additional lenses and accessories in its camera compartment. Remove this, and the pack converts to a full daypack. The hatchback design gives peace of mind, as your camera gear can’t be accessed while you’re wearing the pack, while the CradleFit™ tablet pocket and built-in All Weather AW Cover™ provide additional protection.…

George Rodger was a British photographer who had a life-long love of travel and adventure. Known as ‘the quiet Englishman’, he was a dedicated photojournalist and, together with Henri Cartier-Bresson, Robert Capa and David ‘Chim’ Seymour, he founded the Magnum Photos agency in 1947. What was his background? Rodger was born in Cheshire in 1908. He left school at 17 and joined the Merchant Navy and travelled the world. How did he start to find work as a professional photographer? Despite never having operated a studio camera, Rodger bluffed his way into a job as a portrait photographer for the BBC magazine The Listener in 1936. Afterwards he worked for the Black Star agency. His reportage on everyday life in London during the Blitz (1940-41) earned him a job as…

1 Pick a series The Systematic tripods come in three Series (3, 4 and 5). The middle Series 4 offers a good compromise between weight and sturdiness. 2 Leg section length The leg sections come in three lengths: standard, long and extra-long. With longer leg sections you don’t need as many sections to get a good working height, but the tripod is longer when folded. 3 Number of sections Series 4 tripods can have three, four or five sections. You choose a combination of leg length and numbers of sections to give you the working height, folded size and speed of operation you need. 4 Leg clamps The twist locks grip really tight and they don’t snag on straps or bags. Gitzo’s G-Lock Ultra mechanism can be locked or unlocked…

1 BLEND IN Shooting in sandy or snowy conditions rather than a wood? Hunt out a hide that can be specced in a choice of covers. 2 COVER UP Camouflage clothing only conceals your body. Break out your tripod and Bambi won’t be impressed. 3 PORTABILITY A decent dome hide may be the lap of luxury, but carrying several extra kilos makes it vital to plan your shooting. 4 EXTRA COVER Look for camo scrim netting that’ll make your hide almost invisible or naturethemed camera covers. 5 PATIENCE Even the fanciest hide won’t instantly inspire animals to strike the perfect pose, so pack plenty of provisions.…

IF you vary the width and height settings in the Filter > Distort > Displace dialog box, you’ll get different effects – but always make the height value double the width. Lower amounts such as 30 and 60 in the boxes will give gentle ripples, while higher ones like 400 and 800 will give a more intense effect. You can use any of the 10 files we’ve provided – they’re all subtly different, and will give a huge range of water effects with different Displace values.…

JAMES PATERSON Editor, Practical Photoshop With a decade as a working writer and photographer behind him, James knows exactly which Photoshop and Lightroom tools and techniques matter the most to you. Photoshop SOFTWARE Photoshop CC GET IT FROM www.adobe.com GET START FILE FROM www.bit.ly/dc191files WATCH VIDEO www.bit.ly/ dc191video DOWNLOAD THE VIDEO www.bit.ly/ dc191bonus STEP BY STEP MAKE A BRUSH Create your own bird-based brush tips 1 PREPARE THE PHOTO Open one of the bird images. First you need to ensure the backdrop is completely white. Press Ctrl/Cmd+Shift+U to desaturate, then bring up Levels with Ctrl/Cmd+L. Drag in the black and white points to increase contrast. Next use the Rectangular Marquee tool to drag a selection over the area. 2 DEFINE THE BRUSH Go to Edit > Define Brush Preset. You…

Trees are perfect for this technique because they’re tall and straight. And if you’ve shot them to extend from the bottom to the top of the image, you’ll enjoy perfect blur in the top half of the shot rather than empty sky. But with trees ticking all the boxes, it’s easy to be blinded to other options – many subjects that are tall and straight or fill the frame can also work well too. Skyscrapers and tower blocks in cities, for example, are definitely worth considering for this blur-blending effect.…

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Ray Collins Award-winning seascape photographer www.raycollinsphoto.com What’s your current mood like? Caffeinated, hopeful for the future. Monday morning. You can invite anyone to a dinner party – who do you choose? David Attenborough, LeBron James, Bill Murray, Kurt Cobain, Kanye West, Bunker Spreckels, Emily Ratajowski, Malcolm Gladwell, Bolo Yeung. Who would you most like to thank for getting you where you are today? My wife. When I listen to her, good things happen. What’s the proudest moment of your career so far? Being able to live the life I want by pressing a button on a box – still blows me away... What’s on your memory card? Test shots of my dog (new underwater lighting system, perfect subject). What’s in your kit bag right now? It’s light at the moment.…