Índice para March 2017 em Digital Camera Magazine

Leica isn’t the only camera designer to bring out pricey special editions to tempt discerning photographers. Fujifilm’s getting in on the act with a Graphite Edition of its X-Pro 2 (£2149) and the X-T2 Graphite Silver Edition (£1649). The new version of the X-T2 comes with accessories to match – a premium leather strap, aluminium hotshoe cover and matching EF-X8 flash – while the graphite X-Pro 2 is packaged with an 23mm f/2 lens and lens hood in the same colour. Additional black pigment has also been added to the top layer of the X-Pro 2, making it more dusky metallic than silver, and more suited to discreet (but still stylish) street photography. www.fujifilm.eu/uk FOCAL POINT Rounding up what’s new and exciting MeFoto RoadTrip Air This travel tripod is available…

Pop the sky! A simple trick to make the sky pop is to use a polarising filter, like Mikolaj Gospodarek has done here. A polarising filter works by simply removing polarised light, therefore reducing reflections and glares. This means the blues in the sky become bluer, and it also saturates the greens. WITHOUT POLARISER WITH POLARISER PROJECT 1 You take the high road... Mikolaj Gospodarek shares his secrets for shooting stunning mountain scenes IF THE idea of shooting stunning mountain views fills you with inspiration, a trip up the Grossglockner High Alpine Road in Austria is a must. Mikolaj Gospodarek captured this cracking vista from the top of Edelweissspitze. Mikolaj, who has a love for the landscape genre, tells Digital Camera: “I love this place and very often I stay…

DESPITE having worked in fashion, newspapers and advertising, Nick Turpin says that shooting on the street with a small camera and standard lens remains his biggest photographic challenge. “That is what keeps attracting me back to it. All street photographers love a good moment and I am the same, but I also make pictures that are significant in a cultural way. “I like the images to be self?contained, but also to work together in revealing some truths. Being documents, street photographs also quickly form an archive of life at a certain time. Even pictures from the 1980s or 90s already look like history; life is changing so quickly.” Nick has always been interested in the aspects of life in modern cities, but found it hard to capture the daily commute…

THIS MONTH: RADIO-CONTROLLED FLASH Free your flash photography using the latest wireless technology ON-CAMERA flash might enable you to light up a scene, but it’s unlikely to light up your portfolio. Whether it’s an underpowered pop-up flash or a flashgun mounted on the hotshoe, camera-based flash gives sharp, directional lighting that creates harsh shadows and gives a ‘rabbit in the headlights’ look to portraits. Taking a flashgun off-camera enables you to control where shadows fall, and to more effectively introduce modifiers that soften and shape the light. There are two ways you can do this: working with a flashgun that’s tethered to the camera by a cable, or using wireless flash. There’s a lot to be said for the convenience of working wirelessly: it’s now become the standard way of…

DEDICATED radio transmitters and flashguns from camera manufacturers tend to be on the pricey side and will, of course, only work with the manufacturer’s own flash system. Fortunately, there are plenty of fairly inexpensive third-party options that allow you to give radio control a go. Most of these are in the form of a transmitter that attaches to the camera’s hotshoe and a receiver that fits to the accessory foot of a remote flash. Some units are known as ‘transceivers’ and can be used as either a master or a slave unit, depending on how they’re configured. There are also flashguns that can act as the master unit or slave within these systems. You’ll need to buy a receiver or transceiver for each flashgun you want to use in your…

CLASSIC COASTLINE Martin Parr shot one of the new BBC idents on the beach; now the Digital Camera Shootout entourage is sweeping into Clevedon, as two readers join Ben Brain for a day of creative coastline shooting… READER 1 gary clark CAMERAS: Nikon D800, Fujifilm X-T1 LOCATION: Clevedon BY day, Gary works in the IT department of Somerset County Council, but by sunset he’s an enthusiastic seascape photographer. His favourite type of photography is long exposures, usually taken with the aid of a 10-stop ND filter. He shoots mainly with a full-frame Nikon D800, but recently picked up a used Fujifilm X-T1 and three lenses. Gary says he’s finding this additional kit to be a great option when he needs to be a little more discrete or when he just…

What is a tilt-shift lens? It’s a specialist optic that allows you to control some of the basics of depth of field and perspective in a way that a normal lens cannot. Traditionally it is used to either correct wide-angle distortion or to create interesting and creative effects with the plane of focus. They have been particularly popular with architecture photographers, who need to control the converging verticals that occur when you point a wide-angle lens up at a tall building. Are they easy to use? They can take a bit of getting used to. You can shift them up and down, left and right as well as tilt them in various ways to alter the plane of focus. You’d certainly need to play around with them for a while…

GET RATED! Email your shot to digitalcamera@ futurenet.com (subject line: Rate My Photo) TOM SAYS: This was taken from an upstairs window, using my Nikon D7100 and a 200-400mm f/4 Nikkor zoom lens at f/5.6, 1/320 sec and ISO 400. I have a log with holes drilled down two sides, filled with suet-based bird food; it’s set up around 25ft from the window and a few feet below window height. The picture was taken in the early afternoon, with the sun behind and to the left. The main problem I had was the distracting background, which contained lots of highlights. ANDREW SAYS: You’ve clearly gone to a lot of effort to encourage the wildlife into your garden and into a position that you can shoot from your house. Excellent! Of…

CLIVE ARROWSMITH Fashion, portrait and commercial photographer CLIVE Arrowsmith was born in north Wales. He studied painting and design at Queensferry Art School, then Kingston College of Art. He began shooting fashion editorial for Vogue in 1970. HIS work has included fashion, beauty, celebrity portraits and advertising, for clients including Harpers & Queen, Vanity Fair, Pirelli and De Beers. IN 2016 Clive became a Fellow of the Royal Photographic Society, and his book Arrowsmith: Fashion, Beauty and Portraits was published. The National Portrait Gallery recently bought several of his images for its collection. HAVE you always been a creative person? I loved painting and drawing as a child. My uncle told me I was born on the same day as Leonardo da Vinci: I became a fanatic about Leonardo and…

WORTH £522! THE Irix 15mm f/2.4 Blackstone is a finely engineered wide-angle prime lens that’s just the hob for capturing sweeping landscapes. It’s a manual-focus lens with a magnesiumalloy skin, weather seals and fluorescent engraved markings. There’s also a finetuning mechanism to aid focusing, and the angle of view is 110 degrees. We reviewed the Irix 15mm f/2.4 Blackstone in issue 185’s group test of manual-focus lenses, when we said: “Image quality is excellent in all respects. It’s also neat that you can lock the focus setting to any preset position, thanks to a separate locking ring.” We gave the lens 4.5 stars and our Great Value award. The Irix 15mm f/2.4 Blackstone lens is available in a choice of Nikon, Canon and Pentax fits. The prize in this competition…

ZEISS lenses are steeped in history: the Milvus 135mm is based on ‘Sonnar’ design principles that date back to 1930. Taking its name from ‘Sonne’, meaning sun, the idea was to minimise the number of glass-to-air surfaces and create the fastest possible aperture rating. The design doesn’t really work in wide-angle lenses for reflex cameras, but has plenty of telephoto potential. Build & handling Available in Canon (ZE) and Nikon (ZF.2) mount options, the entire Milvus range is beautifully crafted. The 135mm is less flared at the front end than its wideangle siblings, but is substantially bigger. In each case, the all-metal construction of the barrels is matched by metal hoods. Unlike many Zeiss lenses, the focus rings have a rubber coating, making them more comfortable to use in cold…

There’s no shortage of clip-on accessory lenses for the iPhone, but you wouldn’t usually expect much in the way of image quality from them. Yet the iPhone itself has a serious camera and a rather good built-in lens, and it’s taken seriously by a lot of pretty serious photographers. That’s the thinking behind this Exolens/ Zeiss tie-in, where Exolens provides the smartphone mount and Zeiss supplies the lenses. This solution comes in two parts – the iPhone adaptor you mount the lenses on, and a choice of lenses. Exolens has just announced an updated mounting bracket for the iPhone 7; the iPhone 7 Plus poses a different problem, of course, because it has its own built-in telephoto lens. Exolens says it’s working on it. Build & handling The 0.6x wide-angle…

AVAILABLE in silver and black options to colour-coordinate with Fujifilm’s range of X-series bodies, this lens is practically identical in size and weight to the Canon. With a smaller zoom range and Fujifilm’s 1.5x crop factor, the maximum effective reach is a more modest 345mm. With the usual stepping motor autofocus, manual override of autofocus and fully manual focusing are available via an electronically coupled ‘fly by wire’ focus ring. Focus modes and operation of the 3.5-stop optical image stabiliser are selected via camera menus – the lens lacks control switches. As in the Canon and Nikon lenses, the mounting plate is plastic rather than metal. The overall build feels lightweight. Performance Sharpness and contrast are good throughout most of the zoom range, even at the widest available apertures. Autofocus…

BOOKING every inch like a ‘standard’ zoom but smaller than most, the Panasonic lens is incredibly compact and light. Indeed, at just 62 x 73mm and 200g, it’s only about half the length of most competitors, and only a quarter of the weight of some in this test. The downside is that maximum telephoto reach is similarly small. Applying the 2x crop factor of the Micro Four Thirds system, you still only get an effective focal length of 300mm at the long end. Even so, the Panasonic equals the maximum reach of a traditional 70-300mm budget tele zoom on a full-frame SLR. Performance Testing the lens on a Panasonic G7, we found autofocus to be fast and reliable. The optical stabiliser is worth about 2.5 stops, so doesn’t compare favourably…

THE Tamron is very conventional, but it follows the traditions of high-end rather than budget telephoto zooms. As such, it has a ring-type ultrasonic autofocus system that enables full-time manual override, and not just when the stepping motor is being powered by the camera body. It also means you get a physical, mechanical link for manual focusing, which operates with smooth precision, complete with a focus distance scale beneath a viewing window. Switches are fitted on the barrel for AF/M focus modes and VC on/ off. The Vibration Compensation system is Tamron’s proprietary form of optical stabilisation, and is fitted to both the Canon and Nikon mount options of the lens. The Sony A-fit version of the lens relies on in-camera stabilisation instead. Performance Autofocus is fast and effective and,…

Like Panasonic, Canon is staying in the compact camera game, and has lifted the lid on a small selection of new models, all due in coming months. First up: the PowerShot G9 X Mark II, pictured above. Available from February and priced at £449.99, Canon’s new premium compact packs a 1-inch type CMOS sensor and a 28mm wide-angle, 3x optical zoom into a retro-styled aluminium body weighing just 206 grammes. So, we say ‘new’ but, on the surface at least, it shares much in common with its predecessor. Under the hood there’s a new Digic 7 processor that enables continuous raw bursts of around 21 shots at up to 8.2fps. In-camera raw processing has been added, as has Bluetooth, improved AF tracking and Dual Sensing Image Stabilisation that’s said to…

AARON Berger’s approach to street shooting is fairly simple: “I walk outside and react to things as they’re happening,” he says. “I don’t look for anything in particular, I don’t pick a spot and wait, and there aren’t pictures in my head that I’m trying to make.” Without making any plans beforehand, Aaron wanders around crowded places armed with a Leica M4-P, a 28mm lens and an external viewfinder. “I shoot this set-up every day, and would be happy to never change it.” Aaron found an affinity for working this way as soon as he got his first camera. “I was drawn to candidly photographing people before I’d ever heard the term ‘street photography’. I’m fascinated by how life looks in a photograph.” Feeling comfortable in public environments is what…

Optical wireless control Radio wireless control…

Photography is as important as breathing to Yasir Mehmood. “I have to take a few clicks of my camera every day to keep my spirit satisfied and healthy!” he says. By profession Yasir is an interior designer, but when he’s not working, you’ll most likely find him searching in the undergrowth for some insects. Yasir is passionate about wildlife macro photography and the variety in nature it reveals: “I like to focus on the marvellous colour combinations of insects and their patterns of design,” he says. “My photography is not just an image taken close-up. I see insects as objects of beauty, which are as beautiful as any other element in nature, and worthy of being photographed. For me photography is not just a hobby: it’s systematic research into insects’…

FOR many of us, the purchase of our first compact system or SLR camera kit will be closely followed by buying a telephoto zoom lens. It’s an obvious addition, enabling extra telescopic reach that’s ideal for shooting anything from family fun to action sports and wildlife. Budget-friendly options are plentiful, but there’s been a shift in the market lately. Many of the latest ownbrand offerings from camera manufacturers are designed for ‘crop sensor’ rather than full-frame bodies. It makes sense, because reducing the size of the image circle that a lens delivers enables a more compact and lightweight build. The physical size and purchase price are therefore more in keeping with entry-level APS-C format and Micro Four Thirds cameras. Meanwhile, Sigma and Tamron (the two main independent manufacturers) are bucking…

NIKON is the latest manufacturer to jump on the stepping motor bandwagon: it’s used for autofocus in this AF-P (Pulse) lens. It’s available with or without VR (Vibration Reduction); the edition without stabilisation is a little cheaper to buy. Both are fully compatible with D3300/3400, D5300/5500/5600 and D500 bodies, but completely incompatible with many older Nikon cameras like the D7000, where autofocus and even manual focusing are unavailable. The 300mm focal length and 1.5x crop factor of Nikon’s DX format gives an effective reach of 450mm, overtaking the Canon and Fujinon lenses. It’s physically bigger and heavier, and relies on a camera menu for switching off stabilisation. This can’t be done in some ‘compatible’ Nikon cameras, even after a firmware update. Performance In our lab tests, the non-VR version of…

FOR a ‘budget’ lens, the build quality of the Pentax feels particularly good, and it’s the only lens in the whole group to feature weather seals. It’s big on zoom range, equating to 82.5-450mm on a Pentax APS-C format body, yet physically small when stowed away. This is thanks to a clever retractable design that enables the lens to collapse down to just 89mm in length. Even so, it’s the joint longest here, along with the Tamron, when it’s used at its maximum zoom setting. Like all the lenses apart from the Sigma and Tamron contenders, the Pentax features a stepping motor autofocus system, the nearsilence of which is an improvement over some of Pentax’s notably noisy lenses. There’s no optical image stabilisation, with the lens instead relying on in-camera…

PERHAPS it’s splitting hairs to say that the Pentax has the biggest outright zoom range of any lens in the group. What’s more important is that it delivers excellent image quality, has refined handling characteristics, and is very robust for a ‘budget’ telephoto zoom, complete with weather seals. The Canon and Nikon lenses are good choices for APS-C format bodies. The Canon isn’t overly generous in telephoto reach, while the Nikon is only compatible with a limited number of recent cameras. For both Canon and Nikon cameras, we prefer the Tamron lens, which has superior build quality and performance, as well as being full-frame compatible. For Micro Four Thirds, the Olympus 75-300mm wins out over the compact Panasonic 45-150mm, not only for its extreme telephoto reach, equivalent to 600mm, but…

www.alienskin.com 1 Alien Skin Exposure X2 £121/$149 Windows & macOS EXPOSURE is aiming to be more than just an effects plug-in, as you can also use it to cull and organise your photos. New features in version X2, like spot healing and lens distortion correction, further add to Exposure’s versatility. But it’s Exposure’s huge range of over 500 effect presets that impresses most. The selection on offer includes numerous emulations of real colour and monochrome film stocks, as well as a decent selection of generic retro looks. All of these can be extensively customised to adjust everything from colour and detail to grain and vignetting, while a Brush tool allows you to selectively adjust a specific image area or stack multiple effects. Despite the vast array of effect thumbnails, we…

PHOTOSHOP MA STER CLA SS 126 Jon makes his debut with a surreal twist! GET STARTED Explore the Channel Mixer tool in Photoshop CC Lightroom Skills Sean McCormack shows you how to emulate an old-time portrait using a modern-day toolset Tool School Discover how to use the Channel Mixer for both monochrome and colour control Artist Insight James Abbott reveals how your can easily add mist and smoke to your images with realistic results Creative Spotlight Create a host of stunning multiple exposures using various blend modes and layer controls…

www.richardbradbury.com What’s your current mood? Bloody marvellous! I won AOP Editorial Photographer of the Year in 2016. You can invite anyone to a dinner party – who do you choose? Muhammad Ali or David Bowie… Yes, it’s been a tough year! What’s on your memory card? A new shoot for the next Guinness World Records. I can’t tell you any more, as all the images are secret until the book is launched... It’s a really cool record though! Who would you most like to thank for getting you where you are today? Photographer David Kilpatrick gave me a job as studio assistant, with no experience or qualifications, in 1982. He’s the reason I am here today. What was your first camera? A Minolta SRT100X. I still own it. What did…

Photography news from around the globe Originally announced at the Photokina trade show last September, the new flagship in Panasonic's Lumix G range of compact system cameras will hit stores in March. The GH5 will be available as a body only for £1,699, or in two kit configurations: the £1,899 M Kit, featuring a 12-60mm lens, and a £2,199 L Kit, packing a Leica 12-60mm lens. The GH5's sensor boasts a 25% increase in pixel count over the GH4, from 16.05MP to 20.3MP. The new sensor also has its low-pass filter removed, enabling more fine detail to be recorded. As the new champion of Panasonic's premium GH line, the GH5 retains the high-end features and build of its predecessors. According to Panasonic, the GH5's weather-sealed magnesium alloy body is freeze-proof…

WHAT do the Euro 2016 football finals and Travel Photographer of the Year (TPOTY) have in common? The overall winners of both contests hail from Portugal. Joel Santos from Lisbon has scooped the top prize in TPOTY 2016 thanks to two portfolios he entered: one a drone-shot record of Ethiopia’s Danakil Depression, the other an insight into the life of a Ghanaian fisherman. We’re especially pleased to hear of Joel’s win, as he used to be the editor of O Mundo da Fotografia Digital, a magazine that Digital Camera has worked with extensively. So, nice one, Joel! The winning TPOTY shots will be exhibited at the UK City of Culture celebrations in Hull (18th May to 30th June), and at 10 Stockwell Street, London (4th August to 3th September). www.tpoty.com…

OR Ronya Galka, shooting street is a personal experience. “I consider myself more of a storyteller. The common thread that runs through my pictures is that they are all dealing with human sentiments - the French call them ‘emotions fortes’. They make everyday life so magical: love, joy, sadness, friendship.” Visually, Ronya’s work is centred around the play between light and dark, and she shoots solely in monochrome. “Colour sometimes distracts the eye and pulls attention away from the important element. Black and white adds a certain timeless quality. Shadows, reflections, silhouettes and juxtapositions are all reoccurring ‘props’ that I use.” Ronya’s street photography shows a stark contrast with her commercial work (which includes editorial and fashion), and she views the unplanned nature of her style as a luxury. “99%…

GET RATED! Email your shot to digitalcamera@ futurenet.com (subject line: Rate My Photo) PHIL SAYS: I took the photo at a local fair using a tripod, my Canon EOS 6D and an iPhone for the remote shutter switch. My goal was to try and catch motion blur and light trails. I moved around the fair for about two hours taking photos; this one was, I believe, the best of the night. I initially processed it in colour, but I like the black-and-white version better. My exposure was 3.8 seconds at f/11 and ISO 100. I processed the photo in Camera Raw. ANDREW SAYS: I think you should be applauded for trying something different and opting for a black-andwhite version of a subject that is typically shown in colour. I really…

JILL Furmanovsky is one of the best-known music photographers working today. In a 45-year career, she has shot most of the major musical artists of the era, including Bob Dylan, Pink Floyd, Amy Winehouse, Leonard Cohen (top), Queen, Miles Davis, James Brown, Eric Clapton, The Sex Pistols, Led Zeppelin, BB King and many more. How did she start? Born in Zimbabwe (then Rhodesia) in 1953, she emigrated with her parents and brother to England in 1965. Her father was a keen amateur photographer who introduced her to the magic of the wet darkroom. As a teenager, she was a keen Beatles fan and managed to take a picture of Paul McCartney outside his London home, using a Kodak Instamatic. It became her first published picture when it was printed in…

Specifications Sensor 20.4MP Micro Four Thirds Live MOS sensor (17.3 x 13mm) Focal length conversion on lens 2x Memory 2x SD/SDHC/SDXC (1x UHS-1, 1x UHS-II) Viewfinder EVF, 2,360k dots Max video resolution 4K (4,096 x 2,160) ISO range ‘Low’-25,600 Autofocus Hybrid phase/contrast detection, 121 points, all cross-type Max burst rate 60fps AF locked, 18fps with AF Screen 3-inch vari-angle, 1,037k dots Shutter speeds 60-1/8000 sec, Bulb Weight 574g, body only, with battery and memory card Dimensions 134 x 91 x 69mm Power supply BLH?1 lithium?Ion battery (supplied), 440 shots The E-M1 II’s 60fps burst mode is a spectacular leap forward in highspeed shooting OLYMPUS has played two aces with the E-M1 II. Its 60fps burst mode is a spectacular leap forward in high-speed shooting, and even though you have to…

ABOUT half the price of Canon’s new full-frame compatible 70-300mm tele zoom, this ‘EF-S’ optic for APS-C format bodies is smaller, lighter and more affordable. It gives a powerful effective reach of 400mm at the long end of its zoom range; while at the short end, it picks up where an 18-55mm kit lens hits the end-stop. An upgrade over the previous IS II model, the STM lens features redesigned optics and a stepping motor instead of a basic electric motor for powering autofocus. As used in many of the rival lenses, a stepping motor enables smooth and virtually silent autofocus transitions that are well suited to both stills and video capture. Performance Outright telephoto reach falls short of some of the lenses on test, but sharpness is maintained very…

BOOSTED by the 2x crop factor of the Micro Four Thirds system, this 75-300mm lens delivers a monstrous effective zoom range of 150-600mm. That’s super-telephoto territory in full-frame terms, from a lens that’s slightly smaller and heavier than the Nikon 70-300mm. Build quality feels a little more robust than in some of the lenses on test, with a metal rather than plastic mounting plate. A stepping motor enables quick yet smooth autofocus transitions, along with electronically coupled manual focusing. There are no on-board switches or controls, other than the zoom and focus rings. Unlike all the lenses we’ve covered so far, the Olympus has no optical image stabiliser, instead relying on in-camera, sensor-shift stabilisation. Performance On an OM-D E-M5 II body, image stabilisation equated to four stops, so the lack…

WITH a classic 70- 300mm zoom range, the effective reach of this full-frame compatible lens is boosted on an APS-C format camera. It’s available in Canon, Nikon, Pentax and Sony (A-fit) mount options. In all cases, a switch on the lens barrel enables shorter focusing in the 200- 300mm sector of the zoom range, with a macro magnification ratio of up to 0.5x. That beats any other lens on test. The APO (apochromatic) edition is claimed to produce less colour fringing than the standard version of the lens. Even so, it’s quite basic in some respects, with a noisy electric motor for autofocus. It’s the only lens in the group in which the focus ring and the front element rotate during focusing, and there’s no optical stabilisation. Performance Image quality…

www.amazon.co.uk/clouddrive 1 Amazon Drive £55/year / $60/year Windows & macOS AMAZON’S cloud storage comes in two options: Prime Photos, which is part of the Amazon Prime service; or Unlimited Storage. Prime Photos offers unlimited storage for photos including raw files (a full list of compatible cameras can be found on the site) and up to 5GB of storage for all other file types, including movies. Unlimited Storage enables you to store unlimited files of any type. Both options enable you to upload either directly through your web browser or through the Amazon Drive app, which is available for MacOS, Windows, iOS and Android. Once it’s installed on your desktop machine, you can set the application to watch and upload files from selected folders automatically, ensuring that your files are always…

Photographer and journalis James is a professional photographer and journalist. He’s an advanced Photoshop user and has created hundreds of tutorials to help others improve their skills. jamesaphoto.co.uk Photoshop SOFTWARE Photoshop CC GET IT FROM www.adobe.com GET START FILES FROM www.bit.ly/dc187files WATCH VIDEO www.bit.ly/ dc187video Download the video www.bit.ly/ dc187bonus AUTUMN and winter are magical seasons that can provide some truly amazing weather conditions for photography. Mist is just one phenomenon that helps to define these seasons, by creating some of the most atmospheric scenes of the year. But not every day is foggy – and how can you also take advantage of mist in your portraits? The answer is simple: use a cloudy sky. For the initial mist or smoke shot, you just need an image of a cloudy…

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