Insofar as a studio is a space for an artist to contemplate and to create work, Michal Rovner’s studio is her farm, located in a village between Jerusalem and Tel Aviv. “I start every day in the field, very early, 5:30,” she says at the end of a clear autumn afternoon. Sometimes she picks poppies or beans—she loves the shape of the legumes when they’re dried—but mostly, she says, “I’m looking,” whether at her large plot, surrounded by olive trees and planted with a fig, pomegranate and orange orchard, or at her three white donkeys. “The field is very simple. It’s kind of a dialogue that I have with my longing for the Canaan landscape, you know, the old, original landscape of Israel.”
That landscape, both natural and built over…
