My first camera was a Kodak 110 Instamatic, received for selling magazine subscriptions for a school fundraiser.
It didn’t have a flash, zoom lens or any adjustments; simply point, press the button, and hope for the best. Color film was more expensive at the time, so I opted for black-and-white film (give me a break! I was only 9 years old).
My financial predicament was not a deterrent, however, because while pouring through the pages of National Geographic, I realized that the masters of monochrome could create images of unparalleled beauty. They understood how to work with tonal qualities of a scene, how shadows played on a subject, how to manage contrast and how to capture rich textures in the natural world. In the darkroom, they painstakingly experimented under the…