100 SCULPTORS OF TOMORROW
by Kurt Beers, Thames & Hudson, $90
The emerging artists in this sizeable tome were plucked from the present day by a jury of curators, academics, art historians and collectors, and by what resembled an open casting call. The result is a catalogue that tugs at fundamental questions – What constitutes sculpture? How, in such a varied and subjective industry, do you pick 100 people? – while offering a kaleidoscope of form, some kinetic, some textile, some rooted in technology and science, and some land art. It makes for a fresh dip into the realm of the tangible.
BILL CUNNINGHAM: ON THE STREET: FIVE DECADES OF ICONIC PHOTOGRAPHY
by The New York Times, Clarkson Potter, $120
A Frenchman’s work jacket was part of Bill Cunningham’s mythology.…
