Tabla de contenidos para Issue 16 en The New York Times Style Magazine: Australia

The New York Times Style Magazine: Australia|Issue 16

Great Minds

LETTER FROM THE EDITOR WE’RE FINISHING THE year with a bang with our second annual The Greats issue, featuring the best and brightest minds in fields as diverse as fashion, music, acting and directing. It’s always one of my favourite issues to work on, as we nut out as a team what sets someone apart as truly great. Is it raw talent, accolades or longevity? I believe it’s all those things, but it also goes deeper than that: to be considered one of the Greats, a person must have inspired us to think, see and feel differently. In these pages, you’ll meet the individuals who have touched our souls and fomented change through their persistence and willingness to push the envelope. Leading the way is our cover star, Queen Latifah…

2 min.

The New York Times Style Magazine: Australia|Issue 16

SOME LIKE IT HOT

THE MARGARITA HAS long inspired visions of lazy days by the pool, steamy Mexican nights and wild parties. In recent years, spicy versions of the margarita have taken the drinking world by storm, emerging as one of Australia’s favourite cocktails and finding its way onto drinks lists well beyond your local taco joint. Adding spice to a cocktail might seem an odd choice, but the chillies can add layers of flavour and depth to a drink, matching well with the margarita’s other components of tequila, lime, salt and sweetness, and offering a heightened sensory experience along with added complexity. According to Alex Godfrey, national ambassador for Patrón Tequila, the spicy margarita is the new vodka soda. “It’s so refreshing, and that little hit of spice releases a bit of endorphins,”…

4 min.

The New York Times Style Magazine: Australia|Issue 16

FRESH FACE

T AUSTRALIA X ZENITH This article is part of a collaboration between T Australia and Zenith. TO UNDERSTAND THE true extent of Zenith’s evolution under CEO Julien Tornare, it helps to consider the Swiss watch brand’s changing demographic. Since he took over six years ago, Zenith has broadened its appeal to reach a more youthful audience. “We rejuvenated our client average age by nine years from 45 years when I took over, to about 36 today,” Tornare says. It’s a notable achievement in a watch market increasingly preoccupied with forging meaningful connections with a younger market. It’s a shift in focus driven by business realities. Last year, millennials and generation Z accounted for all of the luxury market’s growth, according to a consultancy report from Bain & Company, while those…

3 min.

The New York Times Style Magazine: Australia|Issue 16

ALL I WANT FOR CHRISTMAS

JEWELLERY WATCHES FASHION & ACCESSORIES TECHNOLOGY BEAUTY DRINKS TRAVEL…

4 min.

The New York Times Style Magazine: Australia|Issue 16

ANNETTE BENING

THIS IS WHAT it means to command a room. Onscreen, the long-distance open-water swimmer Diana Nyad, as incarnated by Annette Bening in the new biopic “Nyad”, does not slink, sashay or flounce. Watching her walk, it seems absurd that such verbs should even exist. After all, this is a woman who, having retired from her athletic career on her 30th birthday, decided at 60 — an age at which many women find themselves shunted to the sidelines — to revive a dream of swimming the more than 160 kilometres from Havana to Key West, Florida, through waters regularly roiled by storms and teeming with sharks and swarms of venomous box jellyfish, whose stings have been likened to electrocution by those fortunate enough to survive them. There’s no strategic coyness to…

19 min.

The New York Times Style Magazine: Australia|Issue 16

A SPACE TO MAKE THINGS

SWEDEN IS AMONG the world’s most egalitarian societies, but you might not sense that when surveying the ancestral estates that rise above the gently rolling landscape of the southern Skåne province, near the border with Denmark. Among them is the 14th-century Högestad, outside the town of Ystad, which has been owned for the past 300 years by descendants of Count Carl Piper, a nobleman who purchased the agricultural spread around 1705. His wife, Christina, was one of the most successful entrepreneurs and real estate developers of her time. The Pipers still farm beetroot and wheat on the land, but modern machinery long ago made obsolete the tenant farmers who once occupied dozens of cottages there. In the last century, the Pipers sold off most of those peaked-roof brick dwellings and,…

8 min.

The New York Times Style Magazine: Australia|Issue 16

ON THE SCENT

PERFUMEPEOPLE PLACES THINGS IT IS A truth universally acknowledged that with advancing age, surprises tend to become less positive. A parking ticket. A sobering diagnosis. An unanticipated home repair. As time marches relentlessly onwards, joyful revelations become few and far between, making them all the more precious when they do strike. Gian Luca Perris, the chief executive officer and “nose” of the 800-year-old Officina Profumo-Farmaceutica di Santa Maria Novella (commonly known as just Santa Maria Novella), describes one such rare — and special — surprise. At the insistence of the brand’s product development manager, Eleonora Gavino, Perris and his team ventured out to the gardens of Florence’s Villa Medicea di Castello in search of “Bizzarria”, a rare periclinal chimaera (a plant comprising genetically distinct tissues) of bitter orange, etrog and…

4 min.

The New York Times Style Magazine: Australia|Issue 16

THE THING

IN THE ’90s, FRANCK MULLER emerged as the watch world’s enfant terrible. In a world of straitlaced tradition, his weird and wonderful creations were characterised by their boldness. Franck Muller’s Crazy Hours watch, for example, featured a jumble of numbers scattered over the dial in a random order. Bringing (some) sense to the madness, an ingenious mechanical complication then snapped the hour hand from one numeral to the next in order to tell the correct time. That willingness to push the envelope is evident, too, in the new Vanguard Slim Skeleton. The joy of a skeleton movement is that it literally reveals what makes a watch tick, removing the dial to expose the inner mechanics. But while this holds a natural appeal for gear-heads and watch nerds, the enjoyment tends…

1 min.

The New York Times Style Magazine: Australia|Issue 16

EVERYTHING ALL AT ONCE

FOR THE QUEENS, New York-based duo Raphael Martinez Cohen and Ryan Bush, terrazzo is a way to repurpose the detritus of daily life. The two artists founded their joint sculptural practice, Ficus Interfaith, nine years ago. Since then, they have added peach stones, oyster shells, the royal blue glass of Saratoga water bottles, petrified wood and deer bones — discovered on Martinez Cohen’s parents’ property upstate — to the mix of marble chips, other stone fragments and cement that is traditionally ground up to make terrazzo, the speckled composite material that has become the pair’s primary medium. Martinez Cohen and Bush combine their unconventional rock substitutes with coloured cement or epoxy, forming a slurry that they pour into zinc and brass outlines to create kitschy, expressionistic tableaus. The results suggest…

5 min.

The New York Times Style Magazine: Australia|Issue 16

QUEEN LATIFAH

T AUSTRALIAThe Greats, December 4, 2023 DANA OWENS WAS just 15 when she and her friends started “going over”, as they called it, from Newark, New Jersey, to the Latin Quarter, a nightclub in Midtown Manhattan. She’d finish her shift at Burger King, change into her Swatch tracksuit and take the commuter train under the Hudson River and the subway up to Times Square, where a bouncer would pat her down for weapons. Once inside, she recalls, “it’s tight and it’s hectic and the energy is crazy”. Up on the stage were M.C.s like Melle Mel and Big Daddy Kane — artists she’d dreamed about seeing live — whose faces she knew from posters or album covers (rap videos were still rare in 1985). There, where culture was being made…

19 min.

The New York Times Style Magazine: Australia|Issue 16

Speak Softly

ON A BALMY afternoon this past July, Julianne Moore wanders barefoot through the open field next to her home in Montauk, New York, a once-quiet fishing town at the eastern end of Long Island. Butterflies and other pollinators flutter above the tall grass, and the bumblebees from her apiary hover among stalks of chamomile and milkweed. Her dog, Hope, pants contentedly in the heat. And yet the actress looks distressed. For weeks, she’s been anticipating the arrival of the Queen Anne’s lace, whose long, thin stems and delicate white flowers had last summer transformed the meadow into what Moore, 62, describes as a “fairyland”. It’s still early in the season, but her optimism has been challenged. “Yeah, maybe it’ll come,” she says, smiling to mask her doubt. “It’s a little…

7 min.

The New York Times Style Magazine: Australia|Issue 16

Above All Else

OPINIONPEOPLE, PLACES, THINGS AUSTRALIA THEY COME EVERY year, as inevitable as Christmas: the best-of lists. What were the greatest movies of 2023? What were the greatest books? The greatest albums and songs? The greatest video games? Each November and December, a thousand critics publish their professional verdicts in every category, and then a million readers flock to social media to agree or disagree, often vehemently, as though lives were at stake. The ranking of pop songs — is “Padam Padam” better than “Dance the Night”? — suddenly becomes a vicious blood sport. All these lists are subjective, of course. This is what makes them fun to read: they offer a glimpse of another person’s (sometimes appalling) taste, against which we can measure our own. But every year I read through…

5 min.

The New York Times Style Magazine: Australia|Issue 16

ANOTHER THING

PEOPLE, PLACES, THINGS Crafting intricate settings for contemporary haute joaillerie can be a painstaking task, with artisans meticulously jigsawing an assortment of stones and metals into mind-bending configurations. Sometimes, though, the simplest-seeming pieces require the most effort, says Laurence Graff, the 85-year-old English jeweller and entrepreneur who in 1962 opened his first two shops in London’s Hatton Garden jewellery district and now oversees an international empire. It can take years to amass gems in coordinated sizes, colours and cuts to complete what may end up looking like a casual, if lavish, rope of stones. “We must be patient,” Graff says. This double-strand necklace, with a total of 171 perfectly matched round white and yellow diamonds in graduated proportions (the largest is just over four carats), may be the ultimate example…

1 min.

The New York Times Style Magazine: Australia|Issue 16

Changing the Tune

T AUSTRALIA EVENTPEOPLE, PLACES, THINGS AUSTRALIA TO MARK THE launch of the “Yes” issue starring Ajak Deng, subscribers and other friends of T Australia gathered last month on the Pool Bar terrace at Sydney’s Oxford House hotel for the latest annual T Suite panel discussion, themed “Ask the Innovators”. T Australia editor-in-chief Katarina Kroslakova and digital content director Victoria Pearson were joined by the singer-songwriter and creative multihyphenate Carla Wehbe, Breathe architecture director Jeremy McLeod and serial entrepreneur and Music Health therapy co-founder Stephen Hunt. The conversation explored how culture and innovation — whether it be a piece of music, a building or a new technology — can spur societal progress, bringing together disparate communities and inspiring sustainable innovation. With Patrón and Sennheiser sponsors of the event, guests sipped Patrón…

2 min.

The New York Times Style Magazine: Australia|Issue 16

MIUCCIA PRADA

EVEN BEFORE HEADING from the Fondazione Prada, a contemporary art complex housed in an old distillery on the southeastern edge of Milan, to Miuccia Prada’s office about a kilometre and a half away, I’m reminded of her towering presence everywhere I look. A docent, dressed in a black Prada uniform, shepherds a pair of tourists, both carrying Prada handbags, into a screening of “Four Unloved Women, Adrift on a Purposeless Sea, Experience the Ecstasy of Dissection”, a short film by the Canadian director David Cronenberg accompanied by a wunderkammer of 18th-century anatomical wax sculptures. Once outside, I pass an abandoned railway yard and billboards for two other Fondazione exhibitions: a permanent re-creation of the home studio in Switzerland where Jean-Luc Godard edited his final movie and a survey of videos,…

20 min.

The New York Times Style Magazine: Australia|Issue 16

LAND OF THE LIONS

AUSTRALIA DUSK HAS BEGUN to settle on the landscape when we drive through the gate and into the Serengeti. “You’re a little late,” says the park official who lifts the barrier to let us pass. “Drive carefully,” he warns, before offering one final piece of advice: “Watch out for lions.” The gate clatters shut behind us. I feel a little like Alice passing through the looking glass en route to Wonderland, or Lucy entering Narnia in “The Lion, the Witch and the Wardrobe”. One minute, my driver, Peter, and I are in the world of people, with their traffic and noise. The next, all is silence. Lions, out here. The thought is sobering. We have to drive across the Serengeti, in near-total darkness, alone. If we break down … well,…

12 min.

The New York Times Style Magazine: Australia|Issue 16

FIRST OF ITS KIND LAST OF ITS KIND

ON A TRIP to Monte Carlo in 1923, the French couturier Gabrielle “Coco” Chanel was introduced to Hugh Grosvenor, the second Duke of Westminster, with whom she began a decade-long love affair. The couple would go hunting and fishing at his 40,000-hectare Reay Forest estate in the Scottish Highlands, where, on blustery days, the designer often borrowed the duke’s tweed blazers. Eventually, she enlisted the Scottish mill Linton Tweeds to produce her own yardage and, having famously cast aside delicate crepes and muslins, she presented her first cardigan made from the nubby fabric. “I asked wholesalers for natural colours,” she would later recall to the French novelist Paul Morand. “I wanted women to be guided by nature.” Chanel’s bouclé tweeds and tartan ensembles, which were made in monochrome as well…

1 min.