BOTTLED RAGE, sublime violence, threats and tears, love and anger. Never has a woman bared so much of her soul,” the French dramatist and poet Théophile Gautier wrote of Italian opera singer Giulia Grisi in the 1830s. Gautier was the first to use “diva”—Latin for “goddess” —to describe an opera soloist of epic talent. In the next two centuries, the term moved from describing performers—Bette Davis, Eartha Kitt, Diana Ross, Beyoncé—to describing almost anyone who’s fierce, provocative and generally beaucoup.
In her latest book, American Diva: Extraordinary, Unruly, Fabulous, Deborah Paredez, who teaches creative writing at Columbia University, celebrates divas of all sorts, arguing that their successes are particularly inspiring for people in marginalized communities, especially racial minorities. Paredez weaves historical accounts of these bold women into a thrilling cultural…
