Tabla de contenidos para No. 141 en Photoshop Creative

Blend modes can take an ordinary image and turn it into something extraordinary. It’s a simple yet effective tool and, when used creatively with Photoshop’s other features, can transform your artwork. Turn to p.16 and see how to use blend modes with masks, layers, brushes, filters and more. Then follow the step-by-step guide on creating this issue’s stunning cover image. There are in-depth tutorials on how to illustrate with the Pen tool, composite imaginative scenes and bring sketches to life with paint splats. There are also advanced guides on typography techniques, matching colour with adjustments, and using Photoshop’s 3D features. Plus, a whole host of Elements tutorials to get stuck into. Make sure you also turn to p.63 to check out an exclusive poster competition that could see your artwork…

Essentials Works with Elements CS CC What you’ll learn Use the 3D tools and multiple images to get creative with perspective Time taken 5hours Expert Rodrigo Marinelli “Sport can be inspirational when creating art, so the opportunity to combine my passions of sport and Photoshop was fantastic! It’s great to use tools and techniques in Photoshop to experiment with perspective. “I’m an art director and have 11 years of experience in advertising agencies. I learned and am still learning to use Photoshop through following tutorials.” Creating an original piece of artwork is always a challenge, but being aware of all the features and tools that Photoshop can offer makes the challenge much easier. In this tutorial, we will create a dynamic scene using perspective techniques. In order for the perspective…

Essentials Works with What you’ll learn Achieve a detailed, cinematic look with filters and adjustments Time taken 1hour Expert Andre Villanueva “Within the past year, I’ve become increasingly interested in the photo-retouching aspect of Photoshop. Being able to elevate ordinary photos into intense pieces is something I find exciting and rewarding. “I discovered Photoshop when studying web design. I’m now art director for a tech company, soothing my inner instructor by sharing techniques with readers.” When it comes to imagery for action movie posters, sophisticated advertisements and gritty sports promos, you’ll need some high-octane styling for your photos. A detailed, cinematic look can certainly fit the bill. For those just starting out with retouching, it may seem like an impossible task to go from ordinary to intense. But you’ll be…

Construct a table 01 Create a diamond Select a rectangle from ‘mahogany. jpg’. Duplicate and move up and right of your original layer. Duplicate again and transform; the aim is to join the edges of the two rectangles. 02 Make a lid Select a perfect square from ‘mahogany.jpg’ and transform it so that it fits between the four corners of your diamond. Adjust each side to make the lighting realistic. 03 Add some legs Select a long rectangle from ‘mahogany.jpg’ and paste below the tabletop. Position one on each corner and use the Elliptical Marquee to round the bottom of the legs. 04 Adjust the elements Clip a layer to each table leg. Add a black and white gradient set to Soft Light, 50% Opacity. Clip a similar gradient to…

About the artist Sophie Diao svff.tumblr.com @sophiediao Sophie Diao is an artist currently working at Google, but she freelances for the animation industry. Her previous clients create an illustrious list, including Cartoon Network, Warner Bros Animation and Disney TV. She cites Rumiko Takahashi as the artist who has inspired her the most. Prints of her work can be purchased from her website. Name of the project Google Doodles: Earth Day If Sophie Diao’s work looks familiar, you are one of the few billion who have seen it. Sophie started creating artwork for Google’s occasional Doodles in 2012, celebrating events from Mothers’ Day to the coldest temperature ever recorded in North America. This year she was given the task of creating the company’s iconic Earth Day Doodles, and produced five beautiful…

Essentials   Time taken Expert Rodrigo Marinelli movies “ @ www I’ve thepixelprosites enjoyed . ever since watching I was sci .com a -fi child. I used to think it was fascinating that filmmakers could imagine a world that doesn’t exist, and how they used visual effects to make the scenes so believable that we actually think they’re real. “Another thing that always catches my attention is the movie poster that advertises the movie. I love the bright colours, and the main image, so it was impossible not to be tempted to use Photoshop to create my own sci-fi scene. “I’m an art director and have 11 years of experience in advertising agencies. I learned and am still learning to use Photoshop through following tutorials.” For more of Rodrigo’s…

Originally a photographer who bought Photoshop to help him edit his nature photography, it was the weather that forced Stefan Dall to become more creative with his editing. “It was so damn wet during winter 2012. I really missed being creative without catching a cold so I thought to myself, ‘Why not take a more in-depth look at Photoshop?’” We caught up with Stefan to find out what he’s learned on his Photoshop journey. How does your process begin? When I start an image, I already have the scene visualised in my head, and sometimes I change things along the way, but the main ideas remain consistent. When I create photomanipulations, I spend a long time looking for the right stock images to use. I have a small book where…

01 Follow the instructions on-screen to create an account with our secure FileSilo system, log in and unlock the issue by answering a simple the magazine. You can access the content for free with your issue. 02 If you’re a print subscriber, unlock all the content by entering your unique Web ID. Your Web ID is the 8-digit alphanumeric code printed above your address details on the mailing label of your subscription copies. It can also be found on any renewal letters that you receive. 03 You can access FileSilo on any desktop, tablet or smartphone device using any popular browser (such as Safari, Firefox or Google Chrome). However, we recommend that you use a desktop to download content, as you may not be able to download files to your…

There’s nothing more inspiring than surfing the internet and seeing what other artists are creating, and we encourage you to do so. Here are some of our favourite pictures that caught our attention recently, from some of the world’s most exciting artists and designers. Bonnie Pang www.bonniepangart.com I created this illustration with the help of perspective tools. I used many layers to separate the elements and used the Lasso tool to create straight lines. This is a picture from my graduate school thesis project. James Gilleard www.jamesgilleard.com I used a photo reference of a rocky beach and a house. I created raw vectors and used Photoshop to add textures with brushes. I added overlays to create depth, and finally added old film textures. Felipe Mayer femayer.com.br This took 40 hours…

Blend modes are capable of completely transforming an image. By controlling how layers interact with each other, you can create seamless compositions as well as creative effects. Whether you want to add colour and pizzazz to your portrait shots, adjust light and shading in your digital paintings, or create surreal effects, blend modes can help. And they’re particularly useful when carefully combined with Photoshop’s other tools. Here we take you on a journey through masks, layers, brushes and filters, as well as the trusty Pen tool and even gradients. So download the files from the FileSilo and take a look at how Photoshop’s key features can work harmoniously with blend modes. WHAT YOU WILL LEARN… BLEND ART WITH MASKS Discover ways to combine textures, photos and colour using masks and…

Perfect the details 01 Quick selection Use ‘Palm.jpg’. Duplicate it, go to Image>Adjustments>Black&White. After that go to Select>Color Range, press Add Selection then press OK. 02 Floor shadow Let’s make the shadow on the floor. With the Pen tool (P) draw the shadow as shown above, apply a Gaussian Blur (7px), then change the blend mode to Soft Light. 03 The dust To give more movement to the scene, add ‘Dust 2.psd’ and put it behind the biker layer folder. Then change the blend mode to Multiply. 04 Final details Add the layer Final_detail from ‘Base detail.psd’, make a mask and put it in front of the biker’s track, then add the layer Final_detail_02, make a mask and put it above the sand.…

Essentials Time taken 12 hours The artist Lewis Moorhead “I’m a self-taught digital designer aspiring to achieve the best. I believe if I put enough effort into my projects, people will give me something all designers strive for: to be recognised and appreciated. My goal is to become a full-time ad designer and digital artist.” See more of Lewis’s work at www.flewdesigns.com. This image took Lewis Moorhead 12 hours to complete, time spent clipping masks, extracting elements from photographs, and intensive shadow and highlight work to blend all of the source material into one cohesive whole. He did rely on some Photoshop tricks to speed up the process, though: “One way was to use the Shadows/Highlights tool (Image>Adjustments) to bring back highlights and shadows diffused by the darkness of the…

The prize Not only will the winning poster be displayed at selected ODEON cinemas throughout the UK this summer for all to admire, but the winner will also receive a special print of their poster. What you have to do Taking inspiration from the trailer, we want you to show us your take on a poster for Suicide Squad. We’re looking for something unique and iconic that’s in keeping with the theme of the film. Remember, David Ayer will choose the winner and it will be displayed in selected ODEON cinemas throughout the UK. To find out how to enter this competition and for full terms and conditions, visit http://blog.photoshopcreative.co.uk/competitions/suicide-squad For more information: www.facebook.com/suicidesquaduk Follow @SuicideSquadUK Suicide Squad It feels good to be bad… Assemble a team of the world’s…

Get in gear 09:00 I get myself a cup of good coffee, which is most welcome after I’ve already spent about 15 minutes looking for a parking space. While sipping the hot beverage, I wander around a bit to see what’s new on sites like Behance, Dribbble and so on. Check my inbox 09:30 That said, for the majority of internal stuff as well as most of the production, we tend to stay away from email communication. My go-to places are Basecamp and Invision, coupled up with Dropbox and Google Drive. I see what has happened overnight and what I have on my plate for the day. Plan and prep 10:00 I enjoy coming up with new ideas as to how to best execute certain visuals or animations, and there…

Essentials Works with Elements CS CC What you’ll learn Create a flame effect with filters, gradient maps and blend modes Time taken 1hour Expert Daniel Sinoca “One of the things I like in Photoshop is the versatility. I can combine all kinds of tools to create amazing effects. Fire is a good example of how easy it is to use some of these features. “I started to get involved in the digital world more than 10 years ago and have been working as a freelance artist ever since, creating all kinds of multimedia projects and tutorial guides.” In this tutorial we’re going to show you an easy way to create a fire effect with a relatively limited range of tools – basically filters, the Gradient Map adjustment layer and blend…

Essentials Works with Elements CS CC What you’ll learn Illustrate with the Pen tool, Shape layers, layer styles and gradients Time taken 3hours Expert Moe Hezwani “The Pen tool is one of my favourite tools in Photoshop, and I’m constantly discovering new ways to create imaginative scenes. I love transforming photos into illustrations, and particularly enjoyed adding quirky elements to this scene, like the spaceships. “I’m a professional graphic designer/illustrator, and Photoshop is my go-to platform for my designs.” The Pen tool is one of those tools that needs a bit of extra bit of practice to perfect. Drawing a vector illustration, like this city skyline, is the best way to get that practice in. Drawing with the Pen tool is easy. Position your mouse where you’d like to begin…

Adding jersey numbers 01 Select a font Download Stadium font from www.1001freefonts.com/stadium. fontfor our hero’s jersey and Mexcellent 3D from www.1001freefonts.com/ mexcellent_3d.fontfor our opponent’s jersey. Rotate the numbers into position and rasterise the layers. 02 Warp and Perspective Cmd/Ctrl+T to transform and select Warp. Under the Warp drop-down, select Arch, set Bend to 20%. Cmd/Ctrl+T again and use the Perspective transformation to make the bottom bigger and the right smaller. 03 Displacement map Hide away all texture layers, select all and copy merge the image to a new file. Desaturate the image. Add a Levels adjustment. Drag the black slider to 173. Save this file as displace01.psd. 04 Distort the number Go to Filter>Distort>Displace. Set Horizontal Scale to 3 and Vertical to 0. Check Stretch to fit and Repeat Edge…

Essentials Time taken 10 hours The artist Felipe Kimio “I work in the mobile gaming industry as an illustrator and concept artist for a company, but also take on commissions on a freelance basis. I would describe most of my illustrations as revolving around the female figure. I am based in São Paulo, Brazil.” If you would like to have a look at more of Felipe’s artwork, you can check it out on Behance by visiting https://www.behance.net/kimisz “Photoshop is my main tool for painting and sketching,” says Felipe, an illustrator from Brazil who has a penchant for drawing pin-ups. Flower Girl is one of many illustrations on his Behance site that have helped him amass over 130,000 views. His secret? Simplicity. “I try to keep things simple in Photoshop,” says…

When words and imagery meet, the result is typography; an art style that can take many forms, from three dimensions to carefully crafted hand-written lettering that is scanned into Photoshop and enhanced. Every typographical artist not only brings their own techniques to the table, but also different viewpoints about how they prefer to work with type. And it’s combining images with words that helps to give typography an extra depth of potential meaning over non-typographical work. We ask some of the best typographers about their working methods, and to gain a better understanding of how they use Photoshop to form the perfect message. With every new instalment of Photoshop brings an even greater level of potential artistry. Read on as they share some of their best tips and techniques to…

Create the bridge 01 Place the image Place ‘Bridge.png’ and then switch to Warp Mode. In the Options bar, choose the Arc preset, set the Bend to -70% and press Enter. 02 Create a 3D object In the 3D panel, check 3D Extrusion and click Create. Adjust the Extrusion Depth to 5mm and then change the Extrusion Material, applying the ‘bridge. png’ as a texture. 03 Rotate the image Rotate the image using three-scene-moving icons and place it into position. In the Layers panel, right-click over the layer and then choose the Rasterize 3D Layer option. 04 Use the Transform tool Now use the Free Transform tool to adjust the perspective and then drag it to behind the trees. Grab the Blur tool and blur the area on the foreground.…

HOW CAN I ENHANCE A SUBJECT’S EYES? Eyes are often the first thing that we look at in a portrait so it’s important to get them as clear, bright and exciting as you possibly can. It’s easy to do in Elements, and just requires a bit of masking. Start off by duplicating your original layer (Cmd/Ctrl+J) and hit Cmd/Ctrl+L to bring up the Levels panel. Here, play around with the stoppers to improve the contrast of the picture, focusing on what looks good with the eyes. Use the drop-down menu to change the individual strands of Red, Blue and Green. Once you’ve done this, hit the mask icon and then choose Cmd/Ctrl+I to invert the mask. With a soft white brush, mask the irises back in. Improve the saturation and…

If Emi Haze’s work looks familiar to you, it’s really no great surprise. So far, the Italian artist has been featured by Wacom, created two book covers for best-selling author Lauren Oliver, and was even chosen to take part in Adobe’s huge 25th anniversary television commercial. But what are the secrets behind such a distinctive style? We asked Emi how a double exposure image is born. If you had to describe the atmosphere of your artwork in five words, what would they be? Ethereal, imaginative, dreamy, colourful, eternal. In my work, the human being melts with nature and its four elements; there’s a balance between reality, dream and fantasy, and colour and sensitivity has a prominent role. There are common themes throughout my work too: tree branches, clouds forming hair,…