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I swallowed a bug!” declared Taylor Swift, partway through her rendition of “All Too Well” at London’s Wembley Stadium in June. As she recovered, she asked the crowd, “Can you sing?” (Boy, could they ever!) Mere seconds later she picked up where she left off. Onstage—and off—Swift is unstoppable. Ever since she released her self-titled debut album nearly two decades ago, she has obliterated all manner of music-industry records. Her colossal Eras tour—149 dates spanning five continents—represents yet another jewel in her glitter-encrusted crown. This special issue of People deep-dives into the global phenom, a 45-song celebration of the singer-songwriter’s artistic evolution from Nashville upstart to chart-topping pop queen. It’s the best seat in the house for the songs and scenery, the fashion and fun, including the new additions…
‘THAT WAS THE TORTURED POETS DEPARTMENT OR AS I LIKE TO CALL IT, FEMALE RAGE: THE MUSICAL’—TAYLOR SWIFT, CONCLUDING THE SET ON MAY 9…
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‘THIS IS THE PROUDEST AND HAPPIEST I’VE EVER FELT AND THE MOST CREATIVELY FULFILLED AND FREE I’VE EVER BEEN’—TAYLOR SWIFT…
‘[REPUTATION] IS A GOTH-PUNK MOMENT OF FEMALE RAGE AT BEING GASLIT BY AN ENTIRE SOCIAL STRUCTURE. I THINK A LOT OF PEOPLE SEE IT, AND THEY’RE JUST LIKE, “SICK SNAKES AND STROBE LIGHTS”’—SWIFT, TO TIME IN 2023…
