Love Patchwork & Quilting 107의 목차

I might be alone in saying this, but I love January and February. They’re a refreshingly calm contrast to the busy, heady indulgence of December, where I finally have time to breathe, reflect and get my ducks in order. This year one of my resolutions is to use what I already have, which means scrap-friendly quilts and stash-busting projects are on the books! Luckily we’ve got several of those this issue, so you can join me in rediscovering the joys of those fabrics you’ve long forgotten… Jeans not fitting like they used to? Scrap the notion of new-year dieting and stitch them into a mini quilt instead. Jo Avery’s got two gorgeous landscape designs to choose from! Plus, be inspired by our interview with the charming team behind Color of…

CUTTING OUT 1 Cut a strip of fabric to the height of your desired HRT units at their unfinished size. For example, if you want an HRT with an unfinished size of 2½in x 4½in (and therefore a 2in x 4in finished size), you would cut a 4½in wide strip. 2 Trim the left edge of your strip, so it’s square with the long edges. Align the top flat edge of the HRT template with the top of your strip, with the long straight edge at the left (Fig 1). The numbered markings on the template will help you to align it with the bottom of your strip, but you can use any size of strip that you wish, up to 6½in wide. 3 Trim along the right edge of…

YOU WILL NEED Quilt PIECE THIS COSY THROW QUILT IN NO TIME DUE TO HANDY 8-IN-1 HALF-SQUARE TRIANGLES FabricAteal: one (1) fat quarter Fabric B (dark blue): ½yd Fabric C (light blue): ½yd Fabric D (pale blue): ½yd Fabric E (peach): ½yd Fabric F (maroon): one (1) fat quarter Fabric G (pink): one (1) fat eighth Fabric H (pale pink): one (1) fat eighth Fabric I (orange): one (1) fat quarter Fabric J (yellow): one (1) fat quarter Background fabric: 1½yd Backing fabric: 3½yd Binding fabric: ½yd Batting: 64in square FINISHED SIZE ■ 54in square NOTES ■ Seam allowances are ¼in throughout, unless otherwise noted. ■ Press seams to one side, unless otherwise instructed. ■ RST = right sides together. ■ WOF = width of fabric. ■ HST =…

YOU WILL NEED Quilt USE YOUR WALKING FOOT TO QUILT QUICK AND SIMPLE STRAIGHT LINES FabricAturquoise: ¼yd Fabric B (orange): ¼yd Fabric C (dark pink): ¼yd Fabric D (aqua blue): ¼yd Fabric E (cream): ¼yd Fabric F (yellow): one (1) fat quarter Fabric G (light pink): 2yds Binding fabric: ½yd Backing fabric: 3yds Batting: 64in x 54in FINISHED SIZE ■ 58in x 47in NOTES ■ Seam allowances are ¼in throughout, unless otherwise noted. ■ Press seams open throughout, unless otherwise instructed ■ RST = right sides together. ■ WOF = width of fabric. ■ QST = Quarter-square Triangle. ■ Visit bit.ly/HowToQuiltLPQ for a tutorial to help with quilting. ■ Fabrics supplied by Ruby Star Society (rubystarsociety.com). ■ The batting used is Vlieseline Cotton mix 80/20 supplied by Vlieseline (vlieseline.com).…

The landscape on the To the Sea mini quilt is created using improv curve piecing. This means you are not given a template but are cutting your own curves freehand. These tips will help guide you through the process: ■ You can overlap the two strips of fabric and cut through both layers together, or you can cut one layer first before laying it on top of the other and ‘shadow’ cutting the second layer to match it. ■ Always use pieces that are longer than you want your finished piece to be, as you will trim the edges at the end. ■ Jo recommends using a smaller 28mm rotary cutter in order to make it easier for you to cut improv curves. ■ Keep your cutting lines smooth and…

HOW TO SEW DRUNKARD’S PATH BLOCKS Practise sewing curves with confidence to master the Drunkards Path block. Simply rotating your blocks can result in a range of very different designs! CUTTING OUT YOUR PIECES 1 Each block uses two squares of fabric. Kate has used two 4½in squares, and the templates on p82. Throughout the tutorial, you can use your own templates if you have different ones at home, just cut using the recommended square size for your templates. Use the templates to cut one square into an arc (discarding the quarter circle) and the other square into a quarter circle (discarding the arc) (Figs A–B). You will notice that the pieces do not directly align. This is because they include a ¼in seam allowance. 2 Using a template will…

1 MYTHIC QUILT BY THE HACKNEY QUILTER Be won over by soothing triangles in dreamy blue hues with Anna's bold quilt.thehackneyquilter.co.uk 2 MOD DIAMOND BY PEN + PAPER PATTERNS Bright solids and simple construction: two of our favourite things reign in Lindsey's cute design! penandpaperpatterns.com 3 FRESH LINES BY LOU ORTH Go with the zigzag flow with this quilt in issue 72 of LP&Q, on Zinio, Google Play, Apple News or the LP&Q App. 4 COMMON GROUND BY 3RD STORY WORKSHOP Twist and turn HRT units in this colour-blocking row-by-row masterpiece by Andrea Tsang Jackson.3rdstoryworkshop.com 5 SIDEWALK CHALK BY THEN CAME JUNE Simple yet striking, we love the combo of triangles and basic strips in Meghan's beginner-friendly pattern! thencamejune.com…

Lou Orth Fabric addict Lou enjoys playing around with colours in her quilt designs, as shown off in her bold and ultra beginner-friendly quilt and cushion on p34 Lynett Muhaso Lynett loves breathing life into fabrics and turning them into modern makes such as her punchy colour block quilt and coordinating cushion on p40 Color of Connection Keyana, Michelle and Porfiria of the Color of Connection quilt team spoke to us about their recent quiltalong and inspiring workshops on p58…

If you have a lot of WIPs (works-in-progress) tucked away in your sewing room, chances are it’s because you’re overthinking things. How do I know? Let’s just say I’ve had my fair share of experience with overthunk thoughts. And they are rarely productive. Overthinking comes in many forms. There’s indecision (will this fabric be the right choice?), perfectionism (this isn’t turning out the way I wanted it to), and worry (what if I cut this fabric and I make a mistake?). All of them are exhausting in their own way. And often, rather than figuring out how we can deal with or combat those negative thoughts, we simply start a new project. Sometimes overthinking a WIP is inevitable. But it doesn’t have to be a consistent cause of project derailment.…

How did the three of you first connect, and what made you join forces to create Color of Connection? Michelle: We first met on Instagram. When racial tensions and injustices surged throughout 2020, we sought out a way to connect with one another. We saw the need for others to meet and love others that look different, think different and live differently to each other. Porfiria: Coming together was amazing. We all admired each other’s work and wanted others to experience what we experienced, which is three women connecting over a love of quilting. We were not concerned with the colour of our skin or social class, we all share a common ground and everyone should connect the way we have. Keyana: The thought was to create a quilt pattern…

YOU WILL NEED Retro shades Background fabric: one (1) fat quarter Dark pink fabric: one (1) fat eighth Light pink fabric: two (2) approx. 3½in square scraps Purple fabric: two (2) approx. 1½in square scraps Temporary glue One (1) copy each of the Shades template, sections A–E WHY NOT APPLIQUÉ THIS BLOCK ONTO A CUTE CUSHION OR TRENDY TOTE BAG? FINISHED SIZE ■ 5in x 10in (5½in x 10½in unfinished) NOTES ■ Seam allowances are ¼in throughout, unless otherwise noted. ■ Press seams open throughout, unless otherwise instructed. ■ Templates include seam allowances around the outer edge only (marked by the outer dashed line). ■ Reduce your stitch length to approx. 1.5 for Foundation Paper Piecing. ■ FPP = Foundation Paper Piecing. ■ Fabrics supplied by Wool Warehouse (woolwarehouse.co.uk). FABRICS…

At Love Patchwork & Quilting, we want inclusivity to be at the heart of what we do. We’re committed to creating content that reflects and celebrates the diversity of the quilting community. Quilting is for everyone, regardless of ethnicity, age, size, ability, sexual orientation or gender identity. We have begun work on a plan to drive meaningful change, but we know it’s a work in progress. We want to listen to you, our readers. Join the conversation on Instagram @lovequiltingmag or get in touch at lovequilting@immediate.co.uk.…

YOU WILL NEED A SOLID WHITE BACKGROUND FABRIC EMPHASISES THESE HEXIES' FLOWER POWER! FabricAlightpink print): ½yd Fabric B (blue print): ½yd Fabric C (green print): ½yd Fabric D (mustard/blue print): ½yd Fabric E (pink print): ½yd Fabric F (yellow/pink print): ½yd Fabric G (binding): ½yd Fabric H (dark green): 1yd Fabric I (white): 1¼yds Backing fabric: 3¼yds Batting: 56in square One (1) copy of the Triangle template FINISHED SIZE ■ 48in square NOTES ■ Seam allowances are ¼in throughout, unless otherwise noted. ■ Press seams to one side. ■ Templates include seam allowances, where necessary. ■ WOF = width of fabric. ■ RST = right sides together. FABRICS USED Print fabrics are from the Eve collection by Bari J. for Art Gallery Fabrics, as follows: ■ Fabric A: Herons…

YOU WILL NEED Quilt Colouredsolidfabricsten (10) fat sixteenths Grey fabric: 13/4yds Background fabric: 3 5/ 8 yds Binding fabric: 5/ 8 yds Backing fabric: 4½yds Batting: 80in square One (1) copy each of Quilt Template A and B FINISHED SIZE ■ 73in square A PLAYFUL PRINT BACKING FABRIC PROVIDES A NICE CONTRAST WITH THE QUILT TOP NOTES ■ Seam allowances are ¼in throughout, unless otherwise noted. ■ Press seams to one side. ■ Templates include seam allowances, where necessary. ■ RST = right sides together. ■ WOF = width of fabric. ■ Fabric supplied by Robert Kaufman (robertkaufman.com). FABRICS USED ■ All fabrics are Kona Cotton Solids by Robert Kaufman in Lagoon, White, Citrus, Jade Green, Pear, Pomegranate, Carrot, Brt. Pink, Magenta, Grellow and Watermelon. ■ The backing fabric…

YOU WILL NEED To the Sea mini quilt Assorteddenimorsimilartrouser fabric: (see Cutting Out section for details) Light fabric: 10in x 22in Assorted patterned scraps: approx. 3in square Card or heavy drawing paper Batting: 23in square Backing fabric: 23in square Binding fabric: ¼yd FINISHED SIZE ■ 20in square EXPAND YOUR QUILTY SKILLSET AND GET CONFIDENT WITH FREEHAND IMPROV CURVES NOTES ■ Seam allowances are ¼in, unless otherwise noted. ■ Press seams to one side, unless otherwise instructed. ■ When working with recycled fabric, wash all the clothes before starting and try to avoid picking stretchy fabrics. ■ Download and print full-size templates from gathered.how/lovequiltingmag. CUTTING OUT 1 Sort your denim or trouser fabrics and trim into strips. You will need approx six strips, at least 22in long. Each strip should…

YOU WILL NEED Green prints: six (6) fat eighths Pink prints: four (4) fat eighths Orange prints: four (4) fat eighths Background fabric (white): 3/4yd Lining fabric: 35in square Batting: 35in square Backing fabric: 30½in square One (1) 20in zip HRT template provided with the magazine FINISHED SIZE ■ 30in square NOTES ■ Seam allowances are ¼in, unless otherwise noted. ■ Press seams to one side, unless otherwise instructed. ■ RST = right sides together. ■ WOF = width of fabric. ■ HRT = Half-rectangle Triangle. FABRICS USED ■ Print fabrics are from the Jungle Paradise collection by Stacy Iest Hsu for Moda Fabrics. ■ Solid fabrics are Off White and Pomegranate from Bella Solids by Moda Fabrics. CUTTING OUT 1 Follow steps 1–6 of the HRT instructions on p6…