Indice dei contenuti per Issue #100 in RUSSH

For an issue imbued with reflections on milestones made, it was only fitting we paid homage to fine art photography and the role it has played for us; how it has inspired and encouraged us to seek wider and farther. Discovering a new artist’s work for the first time is a sensation that is truly unmatched, an indescribable intrigue that has you rushing to trawl their entire catalogue. For us, it has been the cross generational love of Peter Beard, Diane Arbus, Deborah Turbeville, Bill Hense and Davide Sorrenti. Image makers across generations, gifted with an innate ability to tell the stories of the world through imagery – the impact of which is never lost. On the theme of reminiscence, we reflect on how we built our relationship with artists…

Jelena Telecki doesn’t intentionally draw from the past, however fragments of it inevitably find their way into her work. A painter who left her homeland during a period of substantial unrest, she draws broadly on themes of power, representation and human interaction. Telecki’s paintings and sculptures are raw, intuitive, uncensored – like the artist herself. Telecki left her homeland during the Yugoslav wars, a series of conflicts for independence fought in the former Yugoslavia from 1991 to 2001. She’s previously expressed a sense of having been trapped there, leading to an ongoing interest in social theory and power dynamics. This is where she developed an interest in art history, and her immersion in the industry began. Telecki’s pensive approach alludes simultaneously to personal shared histories, resulting in enigmatic and highly…

If you dream of freedom, if you dream of intimacy both hot and profound, if you dream of an abundance of friends and flirtation and affection, of following your desires and seeing where they take you, then you’ve already taken the first step.” The foreword of Janet W. Hardy and Dossie Easton’s The Ethical Slut reads like an infomercial for non-monogamy. It’s a tempting sentiment. One that I have often thought on, trying to unpick in my mind why we are given so few examples to follow of what a committed, loving, fulfilling relationship can look like. The prescription we are handed for a happy life, even in 2022, gives significantly outdated energy when broken down. It is as follows: if we can find someone to connect with and finally…

PHOTOGRAPHY Tim Ashton @After Winter Agency FASHION Hannah Cooper MODELS Aweng @IMG, Emilie @Priscillas, Berry @Chadwick Models HAIR Joel Forman @After Winter Agency using Oribe MAKEUP Anne Timper using Gucci beauty NAILS Cindy Vellis Manicurist using Dazzle Dry PHOTOGRAPHER’S ASSISTANTS Bananas Clarke and Seok-Yoon STYLIST’S ASSISTANT Kirsten Humphreys DIGITAL OPERATOR Josh Carr Hammerston…

PHOTOGRAPHY Tim Ashton @After Winter Agency FASHION & CREATIVE DIRECTION Hannah Cooper MODEL Atty Mitchell @Priscillas HAIR Graham Cumming @Vivien’s MAKEUP Sean Brady using Swarovski PHOTOGRAPHER’S ASSISTANTS Bananas Clarke and Seok-Yoon STYLIST’S ASSISTANT Kirsten Humphreys DIGITAL OPERATOR Hamish McKintosh…

PHOTOGRAPHY Bowen Aricò FASHION Charlotte Agnew MODEL’s Hugh Burry, Taara McLaren @Kult Australia HAIR & MAKEUP Nisha Van Der Berkel MAKEUP Akiko Owada @The Wall Group PHOTOGRAPHER’S ASSISTANT Yuliy Gurshinsky STYLIST’S ASSISTANT Chelsea Oh…

The term revolutionary is used quite liberally for a word that historically carries such magnitude. Now more synonymous with each new technology update – and frequently entrusted to describe the flavour experience of my favourite double-stuffed ricotta and pumpkin pasta dish – it leaves some of us wondering, what does it mean to be coined a change maker in 2022? At its core, change that creates authentic disruption within society is ultimately down to impact. It’s no longer just about how hard you swing, but where, and for whom. If you’re fortunate enough to find yourself in a position to fight, then who or what are you fighting for? For our experiences to be shared, our planet to heal, our voices to be heard… When the medium and the message…

“Without knowing the force of words, it is impossible to know more.”– Confucius The room is a kind of wet furnace. Condensation licks the walls in a slow descending motion, the floor faintly muddied from the tread of naked feet. The fan is broken and the air is weighted with damp, and deadly still, like a breathless mouth fallen open. She is motionless, stripped bare in the oppressive heat, plunging in and out of deep sleep, submerged in a phantasm of unconscious rubble. It’s getting dark outside and the light on her skin is changing tone – yellow to orange, orange to blue. The door is unlatched, she’s been meaning to fix it. It gapes. A narrow aperture through which to view the scene, a casual incision into the cavity…

Anna Harrison Contributing Editor, Use Your Words What are you currently aspiring to? I truly believe that the highest purpose of linguistic expression and the sharing of stories is the potential for cultivating deeper human connection – building bridges with sentences. So as someone in the business of words, that’s what I aspire to do. If you had endless opportunity, what would you create? Aside from a constant stream of elaborate dinner parties, I’d focus on creating more poetry/art and having in-depth conversations with interesting people. Honestly that’s what I’d spend my life doing if the bills were miraculously paid for me. Do you see boundaries as an inevitable form of creation? I wouldn’t say I see boundaries as a form of creation, but for me at least, they’re probably necessary…

Jourdan, Charlee, Cara, Miranda, Karlie. The ones that caught our eye from the beginning. Their faces now live in our homes, on our shelves and in the palm of our hands. Having graced our pages and grabbed our attention, their shoots are a moment in time, captured by some and remembered by many. And oh, how much they’ve grown – how much we’ve all grown. Coney Island moments with Cara, the Australian outback with Gemma, an East London carpark with Lara Stone. Generations and sometimes decades between us, these memories have become time capsules of the moments we created together.…

We all know the scene. Andi Anderson in the yellow silk dress, a giant canary diamond the same colour as her hair hanging from her neck. Gemstones are part of the way we make memories, and for many of us who grew up in the era of How to Lose A Guy in 10 Days, we’ll never see yellow diamonds without the image of Kate Hudson glancing over her shoulder in the back of our minds. This is the innate power gemstones have. Markers of moments, whether in the traditional sense or in the iconic romantic comedy sense, a gemstones’ lasting power permeates our consciousness, cemented in our minds like the earth they were discovered in. For so many of us, the value of a stone is measured far beyond…

The Other Half of You Michael Mohammed Ahmed (HACHETTE AUSTRALIA) It’s a strange thing to read the dialect of your hometown in something as formal as a novel. Patron saint of ‘the area’, Michael Mohammed Ahmad, speaks of lowies, Wogs, Nike Air Max’s with an emboldening specificity. As a writer, I only hope that like Ahmad, I can observe the right things and find the courage to lay them down. In this final instalment to his semi-autobiographical trilogy, Bani Adam, although heartbroken, has come of age. No longer is he concerned with pushing up against outsiders, in this story it’s his family who prove unyielding. These pages aren’t for the beige, and if they sing to you, you will have Ahmad on repeat forever. – Jasmine Priovic, Digital Writer Crying…

Beauty notes — No. de CHANEL Powder to Foam Cleanser. Beauty notes — No.1 de CHANEL Revitalising Serum in Mist. Beauty notes — No.1 de CHANEL Revitalising Serum and No.1 de CHANEL Revitalising Eye Cream. Beauty notes — Beauty: No. 1 de CHANEL Revitalising Cream and No.1 de CHANEL L’Eau Rouge Revitalising Fragrance Mist. Beauty notes — No.1 de CHANEL L’Eau Rouge Revitalising Fragrance Mist. PHOTOGRAPHY Tim Ashton @After Winter Agency FASHION Hannah Cooper MODEL Tatyana Perry @Kult Australia HAIR Kyye @AP-REPS using Oribe MAKEUP Victoria Baron @M.A.P using Chanel Beauty PHOTOGRAPHER’S ASSISTANT Bananas Clarke DIGITAL OPERATOR Seok-Yoon…

PHOTOGRAPHY Mia Rankin FASHION Charlotte Agnew MODEL Julia Nobis @Priscillas HAIR Tina Outen @Streeters Agency MAKEUP Asami Matsuda @Artlist Paris-New York PHOTOGRAPHER’S ASSISTANTS Grady Corbitt and Dylan Garcia STYLIST’S ASSISTANTS Jasmin Morales and Madison Bauman HAIR ASSISTANT Marvin Tarver LOCATION Pier 59 Studios VIDEO DIRECTOR Alexey Glebko VIDEO DoP Chiao Chen…

PHOTOGRAPHY Jack Grayson FASHION Charlotte Agnew MODEL Kaila Wyatt @The Society Management HAIR Takuya Sugawara @Walter Schupfer Management using The Product MAKEUP Akiko Owada @The Wall Group PHOTOGRAPHER’S ASSISTANT Jaime Pavon STYLIST’S ASSISTANT Jasmin Morales CASTING Marina Fairfax…

PHOTOGRAPHY Mia Rankin FASHION Charlotte Agnew MODEL Lily Hutchinson @Kult Australia HAIR Pete Lennon @HM Division MAKEUP Teneille Sorgiovanni @After Winter Agency PHOTOGRAPHER’S ASSISTANT Henrique Fanti STYLIST’S ASSISTANT Chelsea Oh…

PHOTOGRAPHY Zoltán Tombor @Darling Creative FASHION Natalie Wansbrough-Jones MODEL Valerie Scherzinger @The Squad HAIR James Rowe @Bryant Artists MAKEUP Karina Constantine STYLIST’S ASSISTANT Conor Bond LIGHTING ASSISTANT Szilárd Orbán PRODUCER Lottie Chamberlain @Darling…

PHOTOGRAPHY Charles Dennington @M.A.P FASHION Charlotte Agnew MODEL Dré, Tom Hearn @Priscillas, Ethan Bischoff @Kult Australia HAIR Alan White @M.A.P using Oribe MAKEUP Joel Babicci @Assembly Agency PHOTOGRAPHER’S ASSISTANTS Matteo Dalvera and Jana Ibrahim STYLIST’S ASSISTANT Rosie DesChanel SET DESIGNER Eleanor Ferguson…

I was two years old and my tricycle was a brilliant red. I would ride it up and down the corridor of our apartment building every day. When the bomb came, I don’t remember much of the destruction. My mother tells me it blew our front door off, shattered all the windows and flung our huge refrigerator right across the room. Dust, rubble and shards of glass everywhere. We were fortunate that our routine was to visit my grandmother – a train ride across the border to Switzerland – almost every weekend. We were not there when the explosion hit. When we got home on that Monday morning, all was chaos. My mother taped newspaper over the broken windows and I rode my tricycle around the hole the bomb had…

I am my best self when … Chaos surrounds me. Home feels like … The sun to a lizard on a rock. I start my day by … Making the bed, and then making the coffees. My star sign is … Cancer. It suits me because … Whenever someone finds out I’m a Cancer they look at me and say, “oh wow, yeah, you totally are.” I look after myself by … Getting out in nature, eating well and going to therapy. First impressions are … Not always correct, but they shouldn’t be discounted either. I’m inspired by … Most people. Everyone is just trucking along. It’s impressive. The music that fortifies me is … The entire Peer Gynt Suite by Edvard Grieg. My fondest childhood memory is … Chewing on…

Imagine it. Stepping out of your apartment on a brisk winter’s morning. The air whips at your exposed cheeks but not much else – you have a knit balaclava on and biker gloves that reach the elbows. Your coat is swallowing your frame and it is compressed to you with a thick cotton binder. Many of us couldn’t, despite designers like Raf Simons, Miuccia Prada, and Rick Owens predicting such in their FW18 collections. Last season, the post-pandemic response designers across the globe opted for was body exposure. We lapped it up. Why wouldn’t we? It’s only natural that after almost two years of being inside, the moment we’d step out, we’d go feral for flesh. And after Spring Summer 22 cemented the phrase “bringing sexy back” into our fashion…

Reinvention is at the crux of greatness, of new dawns and ventures to be taken. Learn from the past to spring into the future, the essence of seeing life anew. Fendi’s reinvention of the classic Peekaboo bag – through the release of the Peekaboo ISeeU Petite – is its latest creation inspired by an already timeless piece in the House’s armada. Created with distinctive, smaller proportions, the Peekaboo’s original trapezium-style shape is reimagined as an architectural feat of leather artistry, crafted with intimate attention to detail in the Fendi ateliers. While maintaining the signature details and aesthetic of the iconic bag, it holds a contemporary attitude and youthful flair. Conceived with beauty and functionality at its core, the Peekaboo ISeeU is clean and minimal, geometric and curvilinear, embodying the individuality…

Metachrosis / (ˌmɛtəˈkrəʊsɪs) / noun. zoology the ability of some animals, such as chameleons, to change their colour. Dysmorphia affects many. To not recognise yourself or feel deeply embedded in your own body is a fascinating experience – one that is endlessly rewarding for myself to counteract. Time and time and time again, I will look in the mirror and recognise myself. I used to think it vain; now I see it as super power. To be able to see myself and say “I” and mean it. Not just a bundle of circumstances meeting at the physical point that is my body. A rope of threads strung together by force, or physics, or the twisting motion of my own hand. Not just strands of circumstance, but a single silver thread of…

If Joan Didion taught us anything, it’s that we all tell ourselves stories to live, but some of us need authentically curated characters to create, to flourish and to survive. It is often hard to ‘be ourselves’ when we present naturally, so adopting a facade or a nom de plume can often lead to a greater truth. Orville Peck does exactly that; those piercing eyes underneath a cowboy hat and behind a mask, speaking innate truths and voicing vulnerability through an orchestrated mystery. As I wait patiently to be connected to our call, Billy Idol’s Eye’s without a Face becomes a frustrating and informative song reverberating between my ears. Peck’s face is irrelevant to an understanding of his art but unpacking the voice behind those stories he tells to live,…

MILK MAKEUP Hydro Grip Primer The Milk Makeup Hydro Grip is an award-winning invisible makeup primer with a 94 per cent natural gel formula, smoothing skin and gripping makeup for up to 12 hours, while reinforcing hydration. NAKED SUNDAYS SPF50+ Collagen Glow 100% Mineral Sunscreen Acting as a primer, moisturiser, SPF and collagen booster, the Naked Sunday’s SPF 50+ is safe for sensitive skin and produces a dewy, supple complexion. LANEIGE Water Bank Blue Hyaluronic Eye Cream Laneige’s Water Bank Blue HA eye cream is lightweight with a generously hydrating texture, promptly becoming a favourite since its recent release. WESTMAN ATELIER Makeup Brushes Westman Atelier brushes are handmade in Japan using traditional techniques and are produced with optimal density, softness and function to ensure a buttery finish. CHANEL Hydra Beauty…

PHOTOGRAPHY Brendan Freeman FASHION Anna Foster MODEL Gaia Orgeas @IMG HAIR Liz Taw @The Wall Group using FFØR MAKEUP Amanda Grossman @The Only Agency using Twelve Beauty, Typology and Surratt PHOTOGRAPHER’S ASSISTANT Kristos Giourgas STYLIST’S ASSISTANT Millie Gallimore SET DESIGN Josh Stovell…

Wearing a piece of jewellery can be altogether empowering, defining and an extension of yourself. They mark milestones, individual pursuits and can usher in an era of possibilities still to be writ in one’s life. Through a perspicacious creativity and drive to constantly evolve, Swarovski continues to prove its abilities to craft more than a piece of jewellery, but a moment to be held and taken into eternity. In a celebration of innovation and creativity, Swarovski marked a new vision for the future through the reimagination of its iconic Swan logo. Turning to face a new direction – head on – it is poised to take flight, with an elongated neck crafted to reinforce the brand’s forward momentum. Primed for new beginnings and in the pursuit of greatness, the brand…

PHOTOGRAPHY Zoe Kostopoulos FASHION Lydia Vingos and Hannah Tempany ART DIRECTION Hannah Tempany MODELS Yang @Chadwick Models, Riley @People HAIR & MAKEUP Jordan Hallewall STYLIST’S ASSSITANT Jencie Canfield LOCATION Tamale Studios…

PHOTOGRAPHY Sam Stephenson @China Heights FASHION Charlotte Agnew @China Heights MODEL Sereto @Chadwick Models HAIR & MAKEUP Joel Babicci @Assembly Agency STYLIST’S ASSISTANT Sophia Stamellos LOCATION China Heights Gallery Special thanks to China Heights Gallery…

Places We Swim Dillon Seitchik-Rearson and Caroline Clements, (HARDIE GRANT EXPLORE), 2020 I’m always a bit late to the party with discoveries, but the way that I stumbled upon Places We Swim is exactly the reason it is my recommendation. Nothing makes me feel more alive and realigned than when I am immersed in nature! As much as I love being in my studio, I’ve come to the realisation that it’s imperative for my mental health and creativity to make time to get outside. It was on one of these days after a rejuvenating paddle boarding session that I found this insightful book at a small local store in Somers, Victoria. The muted photos have a 70’s nostalgic feeling to them, and definitely feed that desire to jump in a…

“Home means peace. It means comfort, a space to be completely at ease, to work things out, to learn,” says Shaun Daniel Allen – known as Shal – of his abode. Filled with emblems of a life lived – from musical instruments, books and his artwork – it is a space surrounded with objects he loves, cultivating a sense of him as a person. It is a home acting as a canvas. Allen is a Yugambeh/Bundjalung artist, known for work highly reminiscent of the movements of water, the ebbs and flow of nature and life. A triple threat, Allen paints, tattoos and is a musician – having played his first show in more than two years this February – and has been drawn down creative avenues since his teen years.…