“I’m most inspired when thrown off balance,” says Yve Laris Cohen. “If I’m at ease, then something’s wrong.” The transgender Brooklyn artist continues to apply this mantra to his work, a jarring, immersive blend of dance, architecture, sculpture, and installation. His May 2015 show, Fine, featured a team of his collaborators discussing a piece, in a theater-style setting, that never came to fruition. The result was novel, meta, and compelling, but Cohen, who’ll unveil a new solo exhibit in New York in January, still plans to revisit that initial, unrealized performance. “It may be an impasse,” he says, “but it’s a generative one.”…
