Digital Camera Magazine -julkaisun July 2024 -irtonumeron sisällysluettelo

For someone who has had only limited dealings with horses – the fear induced by sitting on a trotting pony in childhood put Campbell is a consummate pro who has organised everything beautifully and unsurprisingly she’s as good with horses as she is with her camera. Arriving at Caldbeck Common in Cumbria, Campbell introduces our models for the day – Flip and Connie, accompanied by Connie’s mum Debbie – and runs me through the plan for the next couple of hours. Flip is an Irish Connemara and a handsome one at that; his white coat is in immaculate condition and his body language relaxed. That should make our setups straightforward – the last thing Campbell needs is a four-legged model acting up for the camera. Campbell shoots fine-art equine portraiture,…

1 | CREATIVE Creating anaglyph images Wendy Evans enters a third dimension and travels back in time to the glory days of 3D The history of 3D, especially in the cinema, is somewhat tortuous, with almost every new iteration following the same cycle of a boom in popularity, an initial wave of enthusiasm in the industry, general dissatisfaction and eventually, the sound of thousands of 3D glasses being emptied into landfill. 3D attempts to replicate how our eyes see the world, which is basically two image streams, with viewpoints around six inches apart, slightly angled to focus on the subject so each one has a slightly different perspective. Our brains then process the two inputs and create one image with three-dimensional depth. These days, what’s left of the 3D industry…

PART 2 OF 5 Part 3 in issue 284, on sale 19 July Fog can add atmosphere and intrigue to both urban and rural you’re going to capture a drone photograph of a landscape transformed by this mercurial weather phenomenon. Depending on your location, climatic conditions could mean that foggy spells are quite rare and fleeting. They often occur early in the morning, so a key tip for this assignment is to be ready for a suitable weather forecast – you may get an explicit forecast for fog but also look out for light winds of 5mph or less, as this makes fog more likely to form in the pre-dawn hours. Be prepared for wasted journeys – fog is notoriously hard to predict accurately, so you may find you make…

An international competition for photographers aged 24 or under, the Ian Parry Photojournalism Grant is awarded to a project that addresses an important issue related to the human condition. In 2023, the recipient was Nikoletta Stoyanova from Donetsk in Ukraine. Her portfolio of images included this one of police checking a man’s military papers during a break in Odesa. Having grown up in a family that passed a photographic tradition down through the generations, Stoyanova took up the medium when she was 15 and enrolled on a photojournalism degree when she was 17. Working as a photojournalist in the Odesa region when the Russian invasion began in 2022, Stoyanova resolved to stay and document everything that happened. Media outlets wouldn’t let her work on the front line, so Stoyanova became…

Butterfly tips Q I’ve bought myself a macro lens with the specific intention of building up a portfolio of butterfly photos. Can you give me some tips to get me started? Lesley James A From April through to October, different butterfly species will give you lots of subjects to practise on, whether that’s in your garden or at a local nature reserve. With your new macro lens, you’ll be able to get some stunning shots but it’s not always easy. You are best shooting earlier and later in the day, not just for the softer light but because the butterflies are less active, although they can also be harder to find. When using a specialist macro, the thing to remember is that your depth of field is limited. Therefore, you must…

Each year, marketing teams spend millions trying to create the right environment for products their brands have spent millions on developing when it’s time to reveal those products to the world. Some of that goes on traditional marketing channels, including advertising, product photography and promotional materials. Increasingly, creators and reviewers are included in that budget, through direct partnerships and sponsorship, as well as indirect spend through press trips and events. That last area, where reviewers and creators are invited to attend press events, proved controversial for the launch of Panasonic’s Lumix S9 in Japan in May. I was on that trip. Wearing my reviewer’s hat, my job is to assess the context of a release and then communicate my opinions about the product or event objectively. “I expected the camera…

www.panasonic.com The original Panasonic Lumix G100 was launched in 2020 as an entry point to the Lumix mirrorless camera range and with an emphasis on vlogging features, notably a vari-angle screen and an advanced mic array for recording in different situations. The Lumix G100D is a newer variant that is more of a maintenance release than a new camera. The fundamental features and design haven’t changed and there are just two differences; the EVF has dropped in resolution from 3.68 million dots to 2.36 million, but has swapped from TFT technology to OLED – so the screen is better. The second change is the provision of a USB-C port (though this still runs at USB 2 speeds). This was probably in response to changing camera legislation and does at least…

www.sony.co.uk Everybody loves ‘trinity’ wide-angle, standard and telephoto f/2.8 zoom lenses, right? Actually, you can count me out. Especially for mirrorless cameras, I prefer ‘slower’ f/4 zooms that are smaller, more lightweight and better balanced for relatively slimline bodies. When I feel the need for speed, I switch to a prime lens. Following in the footsteps of the Sony FE 24-50mm F2.8 G standard zoom, the 16-25mm redresses the balance, giving a fairly fast f/2.8 aperture throughout its zoom range, but with a relatively small and light build. Something has to give, naturally, and the zoom range itself is more restrictive than usual in both lenses. Even so, both zooms are among the best Sony lenses on the market and have a lot to offer owners of the best full-frame…

Showing some of the past century’s iconic documentary photographs, The Camera Never Lies is a new exhibition at the Sainsbury Centre in Norwich. Running until 20 October, it is one of the strands in a six-part series of programming that considers the question ‘What is Truth’? Co-curated by the award-winning former photojournalist Harriet Logan, The Camera Never Lies explores the impact and influence that photography has had on shaping – and in some cases, distorting – the narrative of major global events. Visitors to the exhibition, hosted in one of the best gallery spaces outside London, initially encounter a ‘main wall’ of 48 photographs that show key moments over the last 100 years. Many of these are familiar to us, captured by Don McCullin, Dorothea Lange, Robert Capa, Kevin Carter,…

Emma Campbell Equine photographer A lifelong love of horses made it odds-on that Campbell should specialise in equine photography, and we get the form on her fine-art portraiture style, from page 8 Will Cheung Photographer and writer A fellow of the Royal Photographic Society and the former editor of many photography titles, Cheung is the man behind Camera Clinic, which continues on page 70 Harriet Logan Photography curator Award-winning photojournalist turned photography curator, Logan is one of the people behind a new exhibition titled The Camera Never Lies. We find out more on page 118 Jon Devo Photographer & writer Our resident tech columnist considers the latest developments in photography and digital imaging. Read his latest dispatch, about a launch event in Japan, on page 100 Nikoletta Stoyanova Photographer The…

As the need for huge castles declined, noblemen and landowners looked imposing but more comfortable to live in. Medieval manor houses were based around a great hall with private spaces for the owner and rooms for the household workers. By the time of the Tudors, the dissolution of the monasteries in the late 1530s saw former ecclesiastical properties added to the wealth of noble families, which in turn, led to a boom in housebuilding. Imposing defences were no longer needed, resulting in large windows and open aspects. The stately home, built and owned by the ruling upper classes, became a statement of wealth and power. They provided employment for the local workforce and acted as hubs for social events. These grand country houses were often surrounded by acres of land,…

Exploring Morocco is like stepping into a whole new world of vibrant sights and bustling markets. But when the excitement of the lively streets starts to wind down, there’s a whole other adventure waiting in the vast deserts in the southern parts of the country. During our three-week photography adventure in Morocco, we couldn’t resist the attraction of the Sahara’s sweeping sand dunes. Compared to the hustle and bustle up north, the desert felt like a different universe, where time slowed down and conversations flowed freely. One of the highlights? Riding the camels as the sun dipped towards the horizon. With the help of our friendly Berber guide, we snagged some stunning shots of these majestic creatures against the golden sky. It was like something out of a dream, and…

If you want to unlock the creative potential of your camera, then Manual mode is the way to go. While the semi-automatic Aperture and Shutter Priority modes can help out by making some of the core exposure settings, Manual mode takes off the stabilisers so that getting the settings right for total creative freedom is completely up to you. But this extra power comes with responsibility, and it will be down to you if the image doesn’t come out correctly. There are occasions when shooting in Manual mode is the only option, such as shooting with flash – if you use a semi-automatic mode the camera will try to base the exposure on the natural light, without taking into account the bright and brief burst of light when the flash…

The ISO controls how sensitive your camera will be to light. or digital noise creeping into your shots. The base ISO setting is usually around 100 on most cameras and has the best image quality. But there are times when boosting the ISO is necessary – for example, when you require a fast enough shutter speed to shoot handheld in poor lighting, such as shots inside dark and dimly lit music venues or for astrophotography. The good news is that high ISO noise performance has become better over recent years and many modern digital cameras produce perfectly usable images at ISO 1600, with many cameras handling even higher ISOs perfectly fine, too. One thing to bear in mind is the size of your camera’s sensor. When photosites are squeezed and…

1 Flick the MF switch Most cameras will have a physical AF/MF switch on the lens or camera body. On kit lenses such as the Canon EF-S 18-55mm f/3.5-5.6 IS STM lens (above), it’s on the lens barrel so flick it to MF to begin focusing manually. Keep IS switches engaged if shooting handheld or switch them off on a tripod. 2 Focus peaking Many modern cameras, such as the Canon EOS R6 (above), have a focus-peaking function. When focusing manually, this can put bright coloured lines such as red, yellow or blue around any parts of your scene that are in sharp focus to help you see them more clearly and get your focus spot-on. 3 Focus distance Keep an eye on the focus distance using the window or gauge on your…

1 ‘Storm the Castle’ by Lee Rouse “The rapidly changing evening light meant I had to work quickly, taking multiple frames to stitch together using the shifting abilities of my tilt-shift lens. I opted for this approach to get a wider field of view, including all of the castle and its reflection, plus the impressive storm clouds that were being lit by the swiftly setting sun. There were multiple frames, all at 1/25 sec, f/11 and ISO 100.” Instagram: @ljrouse Digital Camera says: The sun’s golden light illuminating the dark clouds before the storm brings this image to life. Using a tilt-shift lens has helped Lee get the wide view and perspective he was after. 2 ‘Kingston Flyer’ by James Chapman “The Kingston Flyer is a restored vintage steam locomotive that runs excursions…

The new Remove tool in Lightroom and Adobe Camera Raw features a brilliant new generative AI mode. It can now employ machine learning to remove unwanted objects from your images. Most older retouching tools work by sampling the surrounding pixels, copying and re-using the data from nearby to fill in the area you define. This was once considered cutting-edge but, these days, it is almost primitive in comparison with these new AI-powered tools. For quick fixes, the new Remove tool can be used in the same way as before. However, for larger areas, we can check the AI box and it will generate new pixels not only by analysing the surroundings but also by recognising the image’s content. Take the underwater portrait here. We wanted to fill in the dress…

New Fujifilm compact and lens X-T50 with 40MP APS-C sensor and XF16-50mm F2.8-4.8 R LM WR kit zoom available for pre-order Fujifilm fans will have noticed that the X-T50 succeeds the X-T30 II and the manufacturer will have sound reasons for giving an X-T40 a swerve. Nomenclature speculation aside, the X-T50 costs around half as much again as the X-T30 II, so what will buyers get for their money? The X-T50 is based around a 40MP sensor and X-Processor 5 image processor and offers up to seven stops of in-body image stabilisation and 6K video. While Fujifilm’s X-T20 and X-T30 tended to feature tech from models with one fewer zero in the product name, the X-T50 only gets a single SD card slot, in comparison to the pair that features…

www.panasonic.com Ultra-fast f/1.4 and f/1.2 prime lenses are headline-grabbing ‘dream’ optics for most of us, but the Lumix S 35mm F1.8 lives in a more affordable and practical world and doesn’t carry quite the same glamour. And yet a 35mm f/1.8 prime is a handy lens to have, not just for classic street photography but environmental portraits, too. Modest as it is, the Lumix S 35mm F1.8 is amongst the best L-mount lenses right now. We tested it on the Panasonic Lumix S5 IIX, one of the best Panasonic cameras in the range and one of the best cameras for filmmakers. Of course, Panasonic has half an eye on the video and content creation market and what’s interesting about this lens is not just its individual capabilities, but the fact…

BONUS SOFTWARE EXTRAS! Turn to page 86 ENTER THIS URL www.digitalcameraworld.com/dc283 Enter the URL www.digitalcameraworld.com/dc283 into the destination bar of your internet browser – we’re using Google Chrome, but other browsers work in a similar way. Please do not enter it in any search field or search bar. This will take you to a page on our website. JUST CLICK THE HIGHLIGHTED LINK Click on the link labelled ‘Download the files for Digital Camera 283’ and your download will start, delivered from our own server. Please override any browser warnings about downloading from a non-secure source – our server is safe! ACCESS YOUR FILES Open the. zip In your Downloads folder, or wherever you chose to download your files, double-click the dcm283-files.zip file icon. Then when it expands, double-click Digital…

When faced with a landscape scene that is to stop down to f/22 to get as much depth of field as possible. Now while that isn’t wrong, the problem is that, at f/22, the lens isn’t as sharp as it is at f/5.6 or f/8. One alternative is to use an f/8 aperture but to take multiple photos, focusing at different depths into the scene. 1 Set your focal distance Look on your lens and this should say the minimum focus distance and the distance at which it’s set to infinite focus. On the lens used here, the minimum was around 0.5m and the infinite focus distance was about 4m. So the idea is to take photos at the minimum and infinite focus distances, and one somewhere in the middle.…

Do you despair of the megapixel arms race or that the latest hi-tech digital camera comes with a NASA scientist, on loan for a month, to show you the more esoteric features? Are you under 25 or over 65? If the answer to any of these whimsical questions is ‘yes’, then why not take a break from digital perfection and embrace the world of quirky cameras, fun film stocks and vintage-looking prints? We’re talking about Lomography film cameras, in particular, the Lomomatic 110. There is a range of cartridge films available, colour and mono, with various ISO ratings between 100 and 400. Loading the camera is easy – you just pop the cartridge in and close the door. The format itself is tiny, which is why you get these pocket-friendly…

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An exposure can be boiled down to three core parameters that determine how well exposed the scene is, though changing each has its own trade-offs. The three settings are shutter speed, which determines how long the shutter is open: a fast shutter speed will freeze motion still but could result in an underexposed image if there isn’t enough light, while extending the shutter speed could leave enough time for movement in your hands or moving elements such as the sky or people to become blurry. The aperture is an opening inside of the lens that can be opened or closed to restrict the light flow, though this setting also directly affects your depth of field (how much of your scene is in sharp focus). A wide aperture will flood the…

Creative mirrorless and DSLR cameras have a plethora of drive modes you can choose from that determine how quickly shots are taken in succession, whether they are delayed, quietened or even shot with the mirror locked up on a DSLR to reduce vibrations. These modes are certainly worth adjusting depending on the specific subject you are trying to shoot. For example, if you’re taking landscape photos, you may only require the standard Single Shot mode, where the camera will only fire one exposure until you press the shutter button again, or a two-second self-timer to avoid your finger press of the shutter causing camera shake. A longer 10-second self-timer may be required when shooting from a tripod and running into the scene to take a selfie or group photo. Shoot…

Newborns truly are one of life’s miracles – so delicate, so dependent and so photogenic. However, the sheer joy of shooting a week-old baby is often tempered by the work that needs to go into editing their skin. While their skin might be soft, it’s often littered with red blotches and peeling areas. It’s safe to say that fixing baby skin brings fear to those starting out in newborn photography, but we’re here to help. Lightroom Classic has a number of tools that can be used to speed up the process. For simple changes, local white balance controls can mitigate some of the issues and for more complex colour control, the Point Color tool can be used with masks and further refined. Mixing AI-generated masks lets you focus on fixing…

https://leica-camera.com The Leica SL3 is the first mirrorless camera from the brand that I’ve fallen in love with. I love using the M and Q cameras, but the SL series never did it for me – it certainly didn’t help that they were disturbingly similar, apart from the price tag, to Panasonic’s S cameras. However, the Leica SL3 knocks things out of the park in ways its predecessors never managed. While it lacks the soul of an M11 or even the Q3, this beautiful slab of sculpted black metal is a spectacular imaging machine. With a 60.3MP sensor that delivers gorgeous stills and supports 8K 30p video, the Leica SL3 is the best Leica camera ever. In fact, it’s so good that it isn’t just the best camera from Leica,…

www.nikon.co.uk I’m a fan of ‘superzoom’ lenses for walkabout and travel photography. They give me the ability to react to unfolding photo opportunities at the flick of a wrist, rather than swapping lenses or carrying around more kit. I’ve been impressed with Nikon’s Z-mount lenses, including those for the Z 7II, the Z 8 and Z 9 and the Z fc that deliver great image quality and all-round performance. Superzoom lenses tend to compromise image quality in favour of zoom range. There’s little sacrifice when it comes to the Nikon Z 24-200mm f/4-6.3 VR, which is good value for an all-in-one zoom. The newer Z 28-400mm doesn’t go as wide but doubles up on telephoto reach, giving a greater dividend to photographers who aspire to super-telephoto superpowers at the expense…

The DxO Nik Collection consists of seven different plug-ins, five of which offer creative inspiration and effects, with two ‘corrective’ image enhancement tools. These plug-ins can be used from within Lightroom Classic, Adobe Photoshop, Capture One, DxO PhotoLab and Affinity Photo but also as standalone apps. Nik Collection has long been one of the best photo editing software suites on the market, so what do you get? The creative plug-ins include Nik Color Efex, Silver Efex, Analog Efex, Viveza and HDR Efex, with each one aimed at a particular style or genre of photography. Color Efex is the principal photo editing tool, with its ability to apply over 50 different filter effects, combine them as presets and mask each one with DxO’s fast and effective control point adjustments. Color Efex…