3D World -julkaisun September 2023 -irtonumeron sisällysluettelo

The Gallery CG art to inspire For this project, my aim was to tell a story through this composition, which opened up several possibilities for interpretation. I also had a time constraint and had to use only the elements provided in the original image. This image represents everyday life, with this character in the kitchen doing the dishes. I had to keep this approach to get the message across. The girl is looking out of the window, and I thought she might be pensive as she washed. That's how I came up with the idea of turning the image into a memory. I looked for ways to give this impression and thought of dreams, which are often blurred, and in which there is often a veil-like effect over the scene.…

Gabriel Fabra Pérez began his journey in 3D by studying architecture at the Polytechnic University of Valencia. At the end of his studies he began working as an architect, and a photographer's assistant. During that time he first entered the world of 3D visualisation, before moving to Cuenca, Ecuador, where he lives and works as a 3D artist creating visualisations for furniture brands. How has your background within architecture and interior design helped you to create beautiful 3D artwork? Architecture really gives you a technical knowledge about construction, at least it did with my education. It's important from the point of view that you need to understand how the space works, how it should be dimensioned, and also some notion of how any materials work and interact with each other.…

The Pipeline MOI3D | KEYSHOT | PHOTOSHOP Model, render and paint a starship Practical tips and tutorials from pro artists to improve your CG skills Marnix studied international game architecture and design at Breda University of Applied Sciences, and is now working towards a master's in game technology. He also works at Opus Artz and helped create Impeller Studios’ game In the Black. bit.ly/3PKo7DB To design my starship, I used a combination of techniques across 3D CAD software Moment of Inspiration 3D (MoI3D), KeyShot and Photoshop. That's what I'll be showing you here, as I use MoI3D to create the model and KeyShot for a quick render, giving us a great base to paint over in Photoshop using the shapes, colours and light provided by the 3D model and render. KeyShot is…

Paul Hatton replies In Blender, smoke simulations are a subset of the Fluid system. They generate animated voxel textures that represent the smoke, and can subsequently be used for rendering the final results. To create a smoke simulation, you need both a Flow object and a Domain object. The Flow object acts as the emitter and the Domain object contains the smoke particles. It's important to keep in mind that the smoke can't escape out of the Domain. When it reaches the boundary of the Domain it will either collide with the boundary or disappear, depending on your settings. It can be tempting to think that a huge Domain is therefore the answer, but the bigger the Domain the higher the resolution required and therefore the longer the bake time.…

01 ADD YOUR MULTI-PART EXR INTO NUKE This tutorial was created within Nuke 14 and is aimed at new users. When the scene is rendered, the EXR files can be selected within a system window and then dragged directly into the Node Graph of a new Nuke Comp Scene. Nuke will then collate the sequence of files together into a single Read node, which will follow the settings that have been dictated by the Project Settings. 02 CREATE A SHUFFLE NODE Add a Shuffle Node from either the Nuke toolbar, or by tapping the Tab key with the cursor in the Node Graph and then type “shuffle” into the floating dialogue box. Click and drag the black triangle from the bottom of the Read node and connect it to the Shuffle…

Find a SpaceMouse to suit any budget There are three distinct models of 3Dconnexion SpaceMouse to choose from. The SpaceMouse Compact is the SpaceMouse in its purest form and starts at £126/€139/$149 and offers the six-axis DOF controller, two programmable buttons and wired USB connectivity. The SpaceMouse Wireless (£144/€159/$169) provides the same as the SpaceMouse Compact. It also adds excellent wireless connectivity, making it the ultimate portable SpaceMouse for travel or presentation reviews. The SpaceMouse Pro (£268/€299/$299) and the SpaceMouse Pro Wireless (£295/€329/$329) have a much larger and more ergonomic base for extra comfort coupled with 15 buttons and switches, enabling many keyboard functions to be handed over to the SpaceMouse Pro, as well as the ability to create custom Macros adapted to the software being used. For the ultimate…

PRICE £250/$235 monthly / £1,970/$1,875 annually COMPANY Autodesk WEBSITE autodesk.co.uk/products/maya/features AUTHOR PROFILE Paul Hatton After graduating with a first-class computer science degree, Paul Hatton has spent nearly two decades working within the 3D visualisation industry. PROS Major workflow improvements New tools will help animators Runs natively on current Apple Silicon Macs CONS No significant new features More affordable options available USD-BASED LOOKDEVX TOOLSET Universal Scene Description (USD) is a framework for the interchange of 3D computer graphics data and has become increasingly supported by many DCCs. Autodesk has taken its opportunity to include a new toolset that adds the ability to carry out USD shading graphics with materials that can be utilised in a USD-based pipeline. Not needing to carry out any conversions will simplify the process for many artists.…

MODELS AND TEXTURES EVERY MONTH Download these models and textures to use in your own projects FREE ASSET DOWNLOADS Download a set of fantastic textures from and build your own asset library with these free furniture-themed models from in our monthly model and texture giveaway. NAIL YOUR HARD-SURFACE MODELLING Get in-depth training for creating inorganic models using MoI3D CAD software. CREATE A PHOTOREALISTIC CAMERA Follow our step-by-step tutorial to level up your modelling and texturing workflow. NEXT MONTH Master your Blackmagic Fusion projects with pro Relight training ON SALE 8TH AUGUST Subscribe today: www.bit.ly/3dworld-subs…

At first I intended to create a simple animation in a realistic genre that would convey the atmosphere of the beginning of a work day: a desk by the window, trees outside, sun shining, the camera smoothly zooming in on a laptop, a cup of coffee entering the frame with steam rising from it, and a message popping up saying, ‘time to get to work’. I created the scene, animation and lighting, all that was left was to finalise it, but I lost interest in the idea, and the project remained unfinished. After some time, during another session of listening to Lofi Hip Hop Radio, I got an idea to switch gears and create my own Lofi animation to complete my unfinished project and capture the vibe of the end…

DAVINCI RESOLVE The Pipeline Learn to use the Magic Mask in Resolve Lewis is a freelance filmmaker, certified DaVinci Resolve trainer, and online content creator. His interests are rooted in cinematography and colour. He first picked up a camera at age 15, and hasn't put one down since. Along with freelance work, he also runs Indie Tips, a filmmaking website focused on new filmmakers. indietips.com Long gone are the days of meticulously rotoscoping and using qualifiers to mask subjects. In 2020, DaVinci Resolve introduced the Magic Mask, a tool that uses the DaVinci Neural Engine to create detailed masks automatically. This allows users to isolate objects or humans, either whole or in part, for secondary adjustments in the software. Before we get started, it's also important to highlight that the Magic…

Glen Southern Glen runs SouthernGFX, a small Cheshire-based studio specialising in character and creature design. He has been using and training ZBrush in the UK for over 15 years. youtube.com/c/SouthernGFX/videos Paul Hatton After graduating with a first-class computer science degree Paul has nearly 2 decades worth of experience in the 3D Visualisation industry. He's worked freelance, as part of a team and leading a team of visualisers too. Mike Griggs Mike Griggs is a digital content creator with over two decades of experience creating VFX and CGI for a wide range of clients. www.creativebloke.com Pietro Chiovaro Pietro is a freelance 3D artist and YouTuber. An expert in the creation of game assets and environments, he shares many of his creations on his channel. www.pietrochiovaro.com GET IN TOUCH EMAIL YOUR QUESTIONS…

01 GET SET UP With the default cube selected, go to Object>Quick Effects and select Quick Smoke. This will create a Smoke Domain object that will act as the container for your smoke. Change the size settings for this object so that it encompasses the entirety of where you want the smoke to move into. Inside the Physics Properties tab you can select Adaptive Domain, which will enable the domain extents to grow with the simulation. 02 IMPROVE THE RESOLUTION To improve the quality of the simulation you'll want to go into the Physics Properties tab and increase the number of Resolution Divisions. This is set to 32 by default, which is perfect for a quick simulation, but for final-quality simulations you'll want to change it up to a number around 200,…

Virtual production is a big deal. If you have even the most cursory interest in 3D art, then you'll have heard of it, but you might not be aware of what it actually means or how you can benefit from learning about the subject. In simple terms, virtual production uses 3D engines like Unreal Engine or Unity to create and manipulate virtual elements on LED backdrops. Filmmakers are essentially getting in-camera VFX behind their actors in real-time. So far, the fruits of virtual production have included The Mandalorian, The Batman, and innovative sports broadcasts, among others. This rise in popularity calls for a plentiful supply of 3D artists to wield the real-time graphics involved. Sound interesting? We thought it might, and that's why we sat down with some industryleading experts…

PRICE Free COMPANY Blender WEBSITE blender.org AUTHOR PROFILE Paul Hatton After graduating with a first-class computer science degree, Paul Hatton has spent nearly two decades working within the 3D visualisation industry. PROS More tools built-in Options for speeding up workflow Free assets for hair and grooming CONS Hair tools still don't support simulation Viewport compositor only at early stages REDUCED RENDER NOISE IN CYCLES Improvements have been made to noise handling in Cycles. This is inventively achieved using a light tree, which works harder at the sample level to drive a noise-free result at greater speed. Since Blender 3.0 was released in 2021 we've been treated to a number of iterations, and we're now at version 3.5. The past 18 months have seen improvements in every area of the software…

The Gallery CG art to inspire THE BIGGEST CHALLENGE FOR ME IS BALANCING THE DETAILS WITH THE BIGGER PICTURE ARTIST Zak Sham SOFTWARE Blender, Photoshop I created this picture in my free time as practice work. It's inspired by Mark Zhang's concept design, which I've transformed into 3D. It's been more than a year since I started working with Blender last April, and hardsurface design has always been something I've had an interest in. The biggest challenge for me is balancing the details with the bigger picture, and how to build a proper backstory for the ship. That's why I designed a future tech company that would automate transport between the planets and give my cargo ship a little more credibility. artstation.com/shamzak…

ARTIST Mert Mimaroglu SOFTWARE Reality Capture, Metashape, 3ds Max, Photoshop, Substance 3D Painter, Unreal Engine, NDO I accidentally found this forgotten beauty and decided to make a digital copy. It was a nice photogrammetry experience. It wasn't a crowded street, but while I was scanning, three people asked me what I was doing. One of them was a man that lived in the apartment opposite, who told me the car's story. The car is an inheritance problem as the heir lives abroad, but apparently doesn't want to deal with it. A few neighbourhood residents tried to remove it, but weren't allowed. I used a Sony a6000 camera with a kit lens and took 822 photos in total. I used control points to combine the components in Reality Capture and remodelled…

The Galery The Rookies SOFTWARE Maya, Substance 3D Sampler, Substance 3D Painter, Unreal Engine 5, ZBrush, Photoshop, DaVinci Resolve, SpeedTree YEAR CREATED 2023 By taking inspiration from the upcoming Assassin's Creed Hexe, this was created as a personal representation of the game's themes. It was quite difficult initially, given that this project was created as a new story, where the world and the atmosphere needed to reflect what it was like living during this period. ARTIST Riccardo Maitan LOCATION Italy Riccardo took his first 3D steps in 2016 when he began learning Blender. therookies.co/u/ricca26…

Feature Powgt up your skills The worldwide demand for Unreal Engine skills was projected to grow 138 per cent over 10 years, according to insight from labour market analytics firm Burning Glass in 2021. The company mined their database of nearly a billion past and present job postings to discover that demand for Unreal Engine skills is growing faster than any other segment in real-time 3D. These job market stats show what everyone in the industry is feeling: a clear shift from traditional workflows and applications to real-time game engines such as Unreal Engine and Unity. Companies all around the world are seeking new ways to deliver more immersive and interactive experiences to clients, and it's contributing to one of the biggest shifts the industry has witnessed in a long…

01 START FROM THE HIPS Use basic primitives to build up your robot. If this is for concept art you may never need to go more detailed than that. Start with a shape for the hips, then add an abdomen and chest, and drop one inside the other in a chain. You'll see a little arrow under the parent showing the child is in the correct place. 02 MORE COMPLETE SHAPES As you work down the arm, start to shape the primitives using the Move and Trim tools. Make the shape more interesting from different angles and add more to change the silhouette as needed. Keep adding these as children of the previous parts if you want to join them into one model. The entire forearm gun, for example, could be joined.…

Mike Griggs replies The Foundry's Nuke is one of the most powerful pieces of software that a digital content creator can work with. It's used by everyone, from freelancers wanting to make the highest-quality imagery they can, to the world's leading VFX houses to create and combine the mind-bending imagery we see in most modern blockbusters. The issue with Nuke has been that it can be an intimidating piece of software for new artists to get into, especially when coming from applications like After Effects. However, there are some instances where Nuke is actually more straightforward than its peers, especially when handling files. A great example is how it processes multi-part EXR files. A folder full of rendered files can be dragged directly into the Node Graph, where Nuke intelligently…

The Hub ADVERTORIAL 3Dconnexion News and views from around the international CG community Digital content creation is a rewarding outlet for many artists and designers, whether professionals or hobbyists. Creating imagery and animation from imagination can be fulfilling and inspiring. The perennial problem is that creating digital content requires many specialist apps, many of which need manipulation in a 3D space. The user needs to memorise complicated hotkeys using a keyboard or mouse, which can be unintuitive, or many use a drawing tablet that is made, well, for drawing, not moving 3D objects. These issues are compounded by the fact that every 3D app seems to have its own way of doing things, making developing muscle memory challenging and therefore creating barriers to creativity. However, there is an answer: a hardware device…

NAME Pedrom Dadgostar JOB TITLE Head of 3D STUDIO Vine FX LOCATION England ABOUT Pedrom manages the CG and 3D division for the Cambridge-based Vine FX studio. WEB vinefx.com Pedrom Dadgostar is a highly experienced 3D artist and CG supervisor who has worked on a wealth of major projects, including the third season of The Witcher, War of the Worlds, and No Escape. After the typical phase of questioning his future direction, a dilemma faced by many school leavers, he made the decision to study games development, leaning into his natural creative instincts. From there, Dadgostar would then discover the world of CGI and quickly became entranced by the opportunities offered by digital image making. Since that moment, he has been an integral part of post-production companies including Bandito and…