When critics and audiences alike are raving about a film, it’s usually a cause for celebration. But Brady Corbet, director of Oscar-favourite The Brutalist, was worried when the film he co-wrote with his wife, Mona Fastvold, began drawing comparisons with classics by Francis Ford Coppola, Martin Scorsese and Paul Thomas Anderson.
Running to almost four hours, including a beautifully designed and placed interval, The Brutalist begins as an immigration story. The film joins fictional Hungarian-Jewish architect László Tóth (Adrien Brody), a Holocaust survivor trained at the Bauhaus as he arrives in the US to rebuild his life.
It is a towering achievement. But Corbet was not expecting plaudits.
“This film was really not designed with this sort of reception in mind,” he says, when we meet in London just minutes…
