Índice para 91 em Love Patchwork & Quilting

Any time of year is a good time to make a quilt, but as the colder months come around it’s a hobby that really comes into its own. We’ve been busy thinking of ways to treat loved ones to something we can whip up on the machine – what better way to see out the year than with handmade goodness? (And goodness, what a year it’s been!) So this issue is bursting with Christmassy, festive projects for you to make your own. As I tie the issue up with a neat bow, it’s also time for me to say my goodbyes, as this willbemyfinalissueof Love Patchwork & Quilting.I’vebeenheresince the very first issue and I’m so proud of the community that we’ve created. To all of you wonderful readers out there,…

YOU WILL NEED White fabric: ½yd Dark green fabric: 6in square Light green fabric: ⅛/ 8 yd Red fabric: 3in square Binding fabric: ¼yd Backing fabric: 20in square Batting: 20in square FINISHED SIZE 17in square PICK A CONTRAST COLOUR TO STAND OUT AGAINST YOUR PIECED STAR BLOCKS CUTTING OUT 1 From the white fabric cut: ■ One hundred and twenty eight (128) 1½in squares (A). ■ Six (6) 3½in squares (B). ■ One (1) 3½in x 9½in (C). ■ Two (2) 1½in x 15½in. ■ Two (2) 1½in x 17½in. 2 From the dark green fabric cut: ■ Twelve (12) 1½in squares (D). 3 From the red fabric cut: ■ Four (4) 1½in squares (D). 4 From the light green fabric cut: ■ Sixty four (64) 1½in squares (E). 5…

YOU WILL NEED Eight (8) coloured fabrics: one (1) fat eighth each Grey fabric: one (1) fat eighth White fabric: ½yd Background fabric: 3¾yds Binding fabric: ½yd Backing fabric: 4½yds Batting: 68in x 82in Fusible web (18in wide): 4½yds One (1) copy each of the Bauble, Bauble Top, Letter and Star Block templates FINISHED SIZE 60in x 74in USE OUR TEMPLATES TO BOOST YOUR PRECISION PIECING SKILLS FOR THE STAR BLOCKS! NOTES ■ Seam allowance is ¼in throughout, unless otherwise noted. ■ Press seams open throughout, unless otherwise instructed. ■ Press all fabrics well before cutting. ■ WOF = width of fabric. ■ Lynne used a Vlieseline 279 Cotton Mix 80:20 batting and Bondaweb (vlieseline.com/en) ■ Fabrics provided by Makower (makoweruk.com) ■ Lynne used Aurifil 50wt thread for piecing and…

Here in the UK, the American Museum in Britain has a collection of 250 quilts ranging in date from the eighteenth to mid–twentieth centuries. Queen Kapi’olan’s Fan Quilt and the Hawaiian Quilt pictured here are vibrant examples of the dramatic red and white colour combination found in so many heritage quilts. Linda Boynton Arthur sheds light on how this colourway evolved when she wrote about the early arrival of Turkey Red fabric on the islands which was literally pounded on to bark cloth to create red appliqué shapes. She writes about ‘pau’i’ula’ meaning ‘to beat in red’. By contrast, the calming blue colours of the Poni-mo’i Quilt (see previous page) celebrate the carnation flower brought to the island by settlers. A lost-in-translation moment meant that the flower design became known…

YOU WILL NEED Pot holder Main fabric: one (1) fat quarter Binding fabric: one (1) fat quarter Batting: 9in x 18in Insulated batting: 9in x 18in One (1) copy of the Pot Holder template THIS POT HOLDER PROJECT IS A FUN WAY TO PRACTISE YOUR MACHINE QUILTING! FINISHED SIZE 8in in diameter NOTES ■ Seam allowances are ¼in, unless otherwise noted. ■ Templates include seam allowances. ■ Press fabrics well before cutting. ■ Pattern by Ali Burdon. ■ Fabrics for each project supplied by Art Gallery Fabrics (artgalleryfabrics.com) CUTTING OUT 1 From the main fabric cut: ■ Four (4) 8¾in squares. 2 From the binding fabric cut: ■ One (1) 2in x 8in. ■ One (1) 1 / in x 5¼in. ■ Two (2) 2in x 14in at a 45-degree…

Some folks start planning for the holidays months in advance… I am not one of those people. Every year I get distracted by all the fall festivities: I love Halloween (the candy!) and American Thanksgiving (the stuffing: need I say more?), so despite my best intentions, the holiday season always sneaks up on me. But not this year! Here are some ideas to help you prep for the festive season: 1 BUFFALO PLAID QUILT This is a fantastic fall-to-festive transition project, because what says “fall” more than plaid flannel (besides apple cider and pumpkin pie)?! Turning the classic buffalo plaid pattern into quilt-form is a snap as it’s just a repeating four patch. Use the traditional red and black colour scheme or try a more modern greyscale version (with a…

YOU WILL NEED Fabric A (black) 1yd Fabric B (white) 1yd Fabric C (turquoise) (includes binding) 1⅛/ yds Fabric D (aqua) one (1) fat eighth Fabric E (yellow) one (1) fat eighth Fabric F (white on white) 1½yds Backing fabric: 4yds Batting: 68in square FINISHED SIZE 60in square USE A TEXTURED TWO-TONE WHITE BACKGROUND TO ACHIEVE A SNOWY EFFECT! NOTES ■ Seam allowance is ¼in throughout, unless otherwise noted. ■ Press seams open throughout, unless otherwise instructed. ■ RST = right sides together. ■ WOF = width of fabric. ■ Press all fabrics well before cutting. ■ Fabric supplied by Wool Warehouse (woolwarehouse.com) FABRICS USED ■ Solid fabrics are all Kona Cotton Solids by Robert Kaufman in Black, White, Breakers, Aqua and Sunny. ■ Fabric F is Twist White by…

YOU WILL NEED Fifteen (15) prints: ¼yd each Binding fabric: ½yd Backing fabric: 3yds Batting: 50in square One (1) copy of the Tree Skirt template USE UP YOUR SEASONAL SCRAPS FOR THIS PROJECT – THE PIECES ARE JUST 2 1/2IN WIDE! FINISHED SIZE 44in diameter NOTES ■ Seam allowances are ¼in, unless otherwise noted. ■ Press seams open for each pieced segment, then to the side when joining segments together. ■ RST = right sides together. ■ WST = wrong sides together. ■ WOF = width of fabric. ■ Template includes seam allowance. ■ For directional prints, Jess arranged them with the bottom of the print towards the outer edge of the tree skirt. To do this, arrange fabrics so the larger end of the triangle is the bottom edge.…

YOU WILL NEED Print fabrics: at least six (6) fat quarters Background fabric: 4½yds Deer quilt panel, or chosen appliqué motif (no larger than 30in x 57in total) Fusible web: 30in x 57in Backing fabric: 4 / yds Batting: 70in x 86in Binding fabric: / yd Seventy two (72) copies of the Triangle FPP Template FOUNDATION PAPER PIECING MAKES THIS SNOWFLAKE BLOCK A BREEZE TO SEW! FINISHED SIZE 61in x 78in NOTES ■ Seam allowances are ¼in, unless otherwise noted. ■ Press seams to one side, unless otherwise instructed. ■ Press all fabrics well before cutting. ■ WOF = width of fabric. ■ FPP = Foundation Paper Piecing. ■ For FPP, set your stitch length to 1.5. ■ FPP templates include seam allowance around the outer edge only. ■ Lynne…

YOU WILL NEED Linen fabric: 1yd Fabric A (grey) one (1) fat quarter Fabric B (pink) one (1) fat eighth Fabric C (light blue) one (1) fat eighth Fabric D (mint green) one (1) fat eighth Fabric E (dark green) one (1) fat eighth Fabric F (bright pink) one (1) fat eighth Fabric G (bright coral) one (1) fat eighth Medium weight fusible fleece (35in wide) ¾yd Fusible web: 16in square One (1) copy of each of the Number templates ADD EVEN MORE FESTIVE CHEER TO YOUR CALENDAR WITH PRINT FABRIC POCKETS! FINISHED SIZE 19½in x 20in NOTES ■ Seam allowances are ¼in, unless otherwise noted. ■ Press seams to one side, unless otherwise instructed. ■ RST = right sides together. ■ Press all fabrics well before cutting. ■ Templates…

YOU WILL NEED Background fabric: 4¼yds Light fabrics in yellow, red, pink, aqua and green: ¾yds each Dark fabrics in yellow, red, pink, aqua and green: one (1) fat quarter each Light grey fabric: ¼yd Dark grey fabric: one (1) fat sixteenth Binding fabric: ½yd Backing fabric: 4½yds Batting: 68in x 80in FINISHED SIZE Quilt: 60in x 72in Each block: 12½in unfinished NOTES ■ Seam allowance is ¼in throughout, unless otherwise noted. ■ Press seams open throughout, unless otherwise stated. ■ WOF = width of fabric. ■ CST = Corner-square Triangle. ■ HST = Half-square Triangle. ■ RST = right sides together. ■ Refer carefully to the Layout Diagram and figures for colour and fabric placement throughout. ■ Quilted by Annie Seaboch (search for Annie Leighs Sew Happy on Facebook)…

In my experience, the term ‘fussy cutting’ usually elicits one reaction or another from a quilter. Some enjoy the technique and think of beautifully intricate quilts pieced from precision-cut sections of fabric. Others detest the thought of meticulously cutting cute, tiny motifs and struggle with the idea of fabric being as holey as Swiss cheese. Others aren’t even sure what fussy cutting actually is. So let’s clear that part up, shall we? Fussy cutting can, indeed, be the act of meticulously cutting cute, tiny motifs and turning perfectly good fabric into some semblance of Swiss cheese. And yes, those perfectly cut tiny motifs can and often do make for some intricate, jaw-dropping quilts. But it can also be far simpler. Have you ever tried to align a fabric print in…

TOOLS AND MATERIALS FRONT FABRIC: The fabric on the front of your project can be a normal quilting cotton. Try to avoid dark colours, textured fabric and highly patterned fabrics, as the motif will not stand out as well. UNDERLINING: This fabric will be used to create the channel for your cording. Using a loose weave fabric, such as cheesecloth or muslin, will enable you to thread the yarn through the channel much more easily. You could also use a quilting cotton from your stash, but you may need to snip small holes in the lining fabric to pass the cord through. NEEDLE: Any large-eyed, blunt needle can be used for a project like this. Kate used a no. 22 Tapestry needle for her project. For larger or longer areas,…